The EUROLIVE <strong>VP1800S</strong> subwoofer is exactly what you've come to expect from Behringer - 1,600-Watt power handling capacity, more features and absolutely more affordable! And thanks to the extremely powerful, long-excursion 18" Low-Frequency (LF) driver in a tuned enclosure, the VP1800S provides rich, tight bass all the way down to 35 Hz - enough to shake the house right down to its foundation. The VP1800S is destined to become a legend in its own right, alongside the other EUROLIVE models that have made Behringer the world leader in subwoofers and loudspeakers.</p><p>Behringer's LF transducers are designed specifically for each application - it's what sets them apart from the competition. When you buy a Behringer loudspeaker, you can rest assured that the transducers inside have been engineered to perform flawlessly in conjunction with every other element for truly professional results. The EUROLIVE VP1800S cranks out massive quantities of rich and thunderous low end.</p><p>The VP1800S 18" subwoofer really packs a big punch and can handle up to 1,600 Watts. Recessed handles and ultra-light weight make them easy to lift and transport, and the EUROLIVE VP1800S sounds great - and is supremely affordable. Capable of extremely high sound pressure levels: 100 dB (Half Space, 1 W @ 1 m), the VP1800S provides a 35 - 250 Hz frequency range. A standard 35 mm (1.375") pole socket is provided for pole-mounting your full-range loudspeakers - or you can set them atop the VP1800S, depending on your application.</p><p>The EUROLIVE VP1800S stands head and shoulders above the rest and delivers exceptional performance, even when pushed to the limit. Lightweight and powerful, with custom-designed transducers, massive power handling and extreme portability, the VP1800S subwoofer is ideal for any music application - at a price that is unheard of in this class.</p>
The Evolution Wireless G4 retains all of G3?s best features while simultaneously providing many system improvements. The Evolution Wireless G4 features more power than its predecessor. The 300, 500 and IEM series offer increased RF power, up to 50 mW, for greater transmission range. The portable Broadcast & Film sets benefit from 8 hours of battery power.</p><p>The G4 exceeds expectations with increased switching bandwidth of up to 88 MHz in the 300 and 500 series. G4 offers full flexibility for a wide range of possible applications: live sound, in-ear monitoring, portable solutions for ENG and professional film productions. It is mobile, always on air, and evolves with users and their demands.</p><p>G4?s 100 series systems can be daisy chained for fast, coordinated setup via a new linking function. G4?s intuitive LCD and OLED displays make the lives of engineers easier in any environment. The G4 keeps you connected. For mobile PA applications, the receivers slot directly into the LSP 500 wireless loudspeaker. Integrators adore G4?s versatility when it comes to workflows and control software such as the WSM (Wireless Systems Manager) and the Sennheiser Control Cockpit.</p><p>When it comes to applications in hospitality, education and events, G4 is your mobile solution that fits into any room and perfectly integrates into existing workflows. Documentary filmmakers and video journalists know that G4 fits into any bag and provides powerful speech intelligibility for their interviews or reports. For years, evolution wireless G3 has been one of the best-selling wireless systems in the market. evolution wireless G4 takes this legacy one step further with more power, features and flexibility.</p>
The Evolution Wireless G4 retains all of G3?s best features while simultaneously providing many system improvements. The Evolution Wireless G4 features more power than its predecessor. The 300, 500 and IEM series offer increased RF power, up to 50 mW, for greater transmission range. The portable Broadcast & Film sets benefit from 8 hours of battery power.</p><p>The G4 exceeds expectations with increased switching bandwidth of up to 88 MHz in the 300 and 500 series. G4 offers full flexibility for a wide range of possible applications: live sound, in-ear monitoring, portable solutions for ENG and professional film productions. It is mobile, always on air, and evolves with users and their demands.</p><p>G4?s 100 series systems can be daisy chained for fast, coordinated setup via a new linking function. G4?s intuitive LCD and OLED displays make the lives of engineers easier in any environment. The G4 keeps you connected. For mobile PA applications, the receivers slot directly into the LSP 500 wireless loudspeaker. Integrators adore G4?s versatility when it comes to workflows and control software such as the WSM (Wireless Systems Manager) and the Sennheiser Control Cockpit.</p><p>When it comes to applications in hospitality, education and events, G4 is your mobile solution that fits into any room and perfectly integrates into existing workflows. Documentary filmmakers and video journalists know that G4 fits into any bag and provides powerful speech intelligibility for their interviews or reports. For years, evolution wireless G3 has been one of the best-selling wireless systems in the market. evolution wireless G4 takes this legacy one step further with more power, features and flexibility.</p>
The latest update to the ikan family, the PDMOVIE LIVE PRO (<b>PDL-PFZ</b>) uses meticulous design to bring you the lightest and most efficiently constructed wired follow focus system on the market. Torque, strength, and precision have all been fine-tuned to give you the most intuitive focus control possible.</p><p><b>Focus</b><br />The PDL-TC- PF single-channel controller has two allows the user to precisely adjust focus with ease. It can be easily installed on the diameter of a 15mm-30mm tripod handle.</p><p><b>Luminous Marker Ring</b><br />Live Pro comes with a glow-in-the-dark marker ring which easily allows you to tag lens data when used with a single-channel controller. The fluorescence marker ring can be clearly seen when used in environments with poor light conditions.</p><p><b>Focus, Iris, & Zoom Control</b><br />PDL-TC - PFZ dual-channel controller has two types of control units. The rocker smoothly controls the zoom, and the wheel can be used to precisely adjust focus or iris. It can be easily installed on the diameter of a 15mm-30mm tripod handle.</p><p><b>Smaller & Stronger</b><br />The new motor included with the LIVE PRO continues the previous simple design style. The motor is thinner, lighter, twice as fast as the previous generation The motor's maximum instantaneous power is 0.8 Nm, equivalent to 70 watts of electrical power.</p><p><b>Brushless Motor</b><br />LIVE PRO is equipped with a powerful, high-precision brushless motor, a powerful driving force, and smoothness, allowing it to quickly and smoothly control various large damping lenses.</p><p><b>Control Three Channels Simultaneously</b><br />When the three-channel PDL-PFZI is installed on your tripod system, you have the ability to control the focus, zoom, and iris simultaneously. The controllers and be easily mounted on to the tripod handles or shoulder rid hand grips.<br /> <br /><b>Stable Data Transmission</b><br />The LIVE PRO can be used in a harsh environment, such as severe shaking, extreme cold, and heat, long term wear and tear, the self-locking pin plug provides safety and reliability. It can keep the performance of the product in a stable state for extended periods of time.</p><p><b>PLEASE NOTE!</b> Video for this particular version starts at 5:00 minutes into the YouTube Video.</p>
The MIDAS M32 completely redefined what is possible from a digital mixer - and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR18 rack-mountable mixer, which will forever change the way you record and the way you play live music.</p><p><strong>A Mixer Whose Time has Come</strong><br />Over the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR18 is an 18-input/8-bus portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 16 award-winning MIDAS PRO mic preamps, integrated Wifi module for wireless control, MIDI I/O - and a multi-channel, bidirectional USB Audio Interface. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the same freedom to dial-in their personal monitor mixes. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability - the MR18.</p><p><strong>16 MIDAS PRO Mic Preamps</strong><br />The MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 - and has been recognised by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR18 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning - for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR18 comes equipped with 16 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.</p><p><strong>Built-In Tri-Mode Wifi Router</strong><br />Designed for the ultimate in mobility, the MR18 comes with an integrated Wifi module for direct control of your mixer's functions - without the need to setup and configure an external router. The MR18 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist's perspective - or better yet, let them mix their own IEMs and floor monitors via their own tablets.</p><p><strong>Revolutionary Auto-Mixing</strong><br />When your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics - and preserve maximum gain and priority for the moderator.</p><p>A major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 16 live microphones. Based on the legendary Dan Dugan automix system, the MR18's gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.</p><p>This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.</p>
The OctaMic II provides 8-Channel 192 kHz / 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.</p><p>Lowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.<br />OctaMic II offers 8 balanced XLR mic / line inputs via Neutrik XLR/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase reversal. Amplification can be set between 6 and 60 dB. LEDs for signal, clip, and activated phantom power give a complete overview on the unit's status. When the special Clip Hold mode is activated, any detected clip-state will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection, and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.</p><p>Frontside switches include power on/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. First, the reference level can be easily switched to match any of RME's current interface devices, from HDSP 9632 through Multiface up to the renowned ADI-8 series converters. Second, the Signal to Noise ratio is optimized, and the Clip-LED will exactly match the ones of the ADI-8 (2 dB below 0 dBFS).</p><p>The balanced line level output signal is available at the back of the unit via 8 stereo TRS jacks. The specially developed, internal hi-performance switch mode power supply lets the OctaMic II operate in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.</p>
The PVX 15 passive loudspeakers deliver superior sound quality by utilizing advanced materials like its lightweight, roadworthy molded polypropylene exterior. Lightweight, durable and voiced for live music or speech applications, these two-way speaker systems will handle 400 watts program and 800 watts peak power and feature heavy-duty woofers, 2-3/8" voice coils and the Peavey RX14 1.4-" titanium diaphragm compression driver coupled to a constant directivity horn.</p><p>The PVX15 is a two-way sound reinforcement system based on a heavy-duty 15" woofer and a RX14 titanium diaphragm dynamic compression driver mounted on a 100 by 50 degree coverage Quadratic Throat Waveguide. It's sleek modern appearance, coupled with excellent performance, offer an outstanding package.</p><p>The lightweight yet rugged injection-molded plastic enclosure with molded-in stand mount cup facilitates portable use for live music or PA sound. The trapezoidal cabinet has three handles for ease of portability, and an extra 45-degree angled section on the right side to allow use as a floor monitor. Five sets of flying/mounting points, two on the top, two on the bottom, and one on the side, with a total of 16 cabinet inserts, provide for the ultimate in installation flexibility. A black powder coated perforated steel grille provides driver protection and a professional appearance.</p><p>The heavy-duty 15" woofer has a 2 3/8" voice coil diameter, and a 50 oz. magnet for 200 watts continuous worth of chest-pounding bass. The RX14 compression driver tweeter is coupled to a Quadratic Throat constant directivity waveguide, covered under US patent #6,059,069 with smooth, even response, low distortion and good high frequency dispersion. This horn has an asymmetrical vertical polar response, aiming the main energy lobe down 10°, so it is aimed at the audience, instead of over their heads. This helps reduce ceiling reflections for greater clarity and gain before feedback.</p><p>The PVX15 speaker system is rated at 400W program power handling, and the full crossover network includes high voltage film capacitors, high current inductors, and high frequency driver protection for clear punchy sound, and excellent long-term reliability. A 4-pin twist-lock connector and a 1/4" phone jack input make hook-up a breeze.</p><p>The cabinet of the PVX15 speaker system has multiple mounting fly points, providing outstanding versatility in permanent install use. A pair of M10 inserts is molded-in on the top, and a pair on the bottom, and a set of four M8 inserts is available on the top, on the bottom, and on the right side in the handle recess. This is a total of 16 mounting inserts in all. All of these inserts have retaining hardware on the inside of the plastic cabinet, so that the insert would have to pull out an entire chunk of the cabinet to come free, providing a more reliable and safe mode of mounting the cabinet.</p>
The Shure TwinPlex™ <b>TL48</b> subminiature lavalier microphone features a tailored sound signature optimized for dialogue with a durable 1.6 mm cable. Available in multiple color and connector options. The TwinPlex™ TL48 offers a tailored response with a mid-range rise that's ideal for speech and dialogue applications, such as film and TV. Designed with leading audio professionals' input, the TL48 is easily concealed in a costume or directly against the skin under wardrobe, and offers extensive accessories to ensure quick, easy, and secure mounting-all with no impact on sound quality</p><p>In dialogue or monologue. Song or speech. A single word can affect the whole story. Through sweat, noise, and wear and tear, your little lavalier has an enormous job to do. Shure TwinPlex stands up to the toughest conditions to make every word a clear statement of quality. Natural audio at high or low frequency, the innovative dual-diaphragm captures the complete weight of your voice. And the capsule design maximizes effective surface area in an easy-to-conceal package. So sound suits performer, not the other way around.</p><p>Indoor or outdoor. Inclement conditions won't hold production back. The fixed frequency cap features an internal hydrophobic woven lining that resists sweat and moisture. And the medical-grade cable technology flexes to fit the costume design and the demanding schedule. So your lavalier rises to the challenge, night after night. The TwinPlex™ TL48 offers a tailored response with a mid-range rise that's ideal for speech and dialogue applications, such as film and TV. Designed with leading audio professionals' input, the TL48 is easily concealed in a costume or directly against the skin under wardrobe, and offers extensive accessories to ensure quick, easy, and secure mounting-all with no impact on sound quality.</p>
The TC Electronic <b>CLARITY M STEREO</b> provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo mixing, mastering and post-production, CLARITY M STEREO's 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo correlation; and a RTA (Real Time Analyzer).</p><p>Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; Stereo 96 kHz AES3 digital audio on 75 Ohm BNC connectors or S/PDIF via the supplied RCA adapter for broadcast-grade metering; and stereo optical for maximum flexibility. CLARITY M STEREO is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments.</p><p><b>Audio Toolbox</b><br />CLARITY M STEREO provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings.</p><p><b>Vector Scope</b><br />By tracing the left and right audio waveforms into a shape-like cloud, the high precision vector scope in CLARITY M STEREO will help you identify important stereo balance and phase issues in your mix.</p><p><b>RTA</b><br />Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance.</p><p><b>Balance-O-Meter</b><br />Checking the spatial balance of your mix is paramount to ensure your mix has a well balanced stereo image and optimum stereo width. With the innovative Balance-O-Meter in your arsenal, you get instant access to your all-important Left to Right balance at-a-glance.</p><p><b>True-Peak</b><br />Based on TC Electronic's highly acclaimed True-Peak Technology, the CLARITY M STEREO is your guard against otherwise unpredictable clipping.</p><p><b>Loudness Radar</b><br />The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level.</p><p><b>Loudness Measures</b><br />Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics.</p><p><b>Downmix Deviation</b><br />The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in stereo or mono. This downmix compatibility meter is based on TC Electronic's Loudness Technology, and provides the best means for determining the status of your mix fold down.</p><p><b>Correlation</b><br />For stereo mixing, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears.</p><p><b>Merging Hardware with Plug-ins</b><br />While CLARITY M STEREO is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workflow via plug-in metering - which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M STEREO is quite simply the ideal integration of two worlds.</p><p><b>Bring Clarity to Your World</b><br />CLARITY M STEREO provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/PDIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW.</p>
The TLM 103* is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.</p><p>By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. </p><p>The TLM 103 is available in satin nickel and matte black. Delivery includes an SG 1 metal swivel mount and a wooden jeweler's box. </p><p><strong>Applications</strong><br />Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. </p><p><strong>Polar pattern</strong><br />The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. </p><p><strong>Acoustic features</strong><br />The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. </p><p>The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects.</p><p>Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.</p><p><strong>Electrical features</strong><br />With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB (A-weighted).</p><p>The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. </p><p><strong>Operational safety</strong><br />The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration.</p><p>Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the elastic suspension EA 1 and the windscreen WS 87 are available as accessories. For close vocal use, the PS 15 or PS 20 a pop screens are recommended. </p><p>*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.</p>
The Universal Beltpacks are portable user stations compatible with RTS, Audiocom, and Clear-Com party line systems. They are available in 1-channel and 2-channel versions. Both have the mode-sensing system configuration, meaning the beltpacks can determine what type of system they are installed into and configure themselves according to that system.</p><p>The <strong>BP-4000</strong> and BP-5000 can be ordered with either a 4-pin male, 4-pin female, or a <strong>5-pin female</Strong> XLRconnector providing, a wide-range of headset options. Dynamic and electret headset microphones are supported.</p><p>Multiple programming options are available. To simplify programming, voice prompts guide the user through the menus. Beltpack are available in black only.</p><p>Once plugged in, the beltpacks automatically recognize the wiring scheme and configure the unit for either the Audiocom, RTS or Clear-Com format.</p><p><strong>INTELLIGENT POWER MANAGEMENT</strong><br />Due to a reduced power consumption up to 40 daisy-chained beltpacks can be powered by only one PS-20 power supply. A current pump circuit constantly monitors the cable length versus the actual current consumption to ensure the beltpacks receive the voltage they need.</p><p><strong>ENHANCED TALK BUTTON CONTROL - </strong><br />Offers the choice between "always on", "always off" or "switching". In addition to a blinking incoming call lamp as visual feedback, the BP-4000 single-channel beltpack from RTS provides the user with immediate haptic feedback of an incoming call using a vibration alert.</p><p><strong>REMOTE KILL FUNCTION - </strong><br />Allows any user to send an inaudible "microphone kill signal" which instantly mutes every beltpack mic in the partyline. This feature can be useful when a user inadvertently left the mic open. It is also possible to override the mic-kill function.</p><p><strong>VOICE GUIDANCE EASY FACTORY DEFAULT RESET - </strong><br />Short voice prompts help the user navigating through the menu options eliminating the need to configure internal jumpers or switches. The devices can be easily reset to factory defaults.</p><p><strong>HEADSET CONNECTIVITY - </strong><br />The unit is available with either 4- or 5-pin XLR headset connectors allowing for a wide range of headset options; both dynamic and electret headset microphones are supported.</p>
Your performance should never be in question. Whether presenting, educating, praising or entertaining, your relationship with your audience is singular. With the Shure <b>SLXD1-J52</b> Bodypack Transmitter you can stand confidently on a strong foundation and build the wireless installation to match ongoing demands, from day-long conference to nighttime performances. Shure SLX D Wireless Systems are the digital wireless solutions for small and medium-sized facilities that provide affordable, worry-free UHF-band RF performance, transparent audio quality and streamlined maintenance because of spectrum efficiency, digital audio and ease of setup and rechargeability.</p><p>The Shure SLXD includes predictive diversity for extended antenna coverage and improved RF signal-to-noise ratio. It operates within an extended spectrum of UHF (470-938 MHz, region dependent). The tuning bandwidth goes up to 44MHz (selectable RF band) with up to 32 preset compatible channels and is capable of operating up to 10 compatible channels in a 6 MHz TV band or 12 compatible channels in an 8 MHz TV band. The entire system shall deliver high-quality transparent audio, with a flat frequency response over a wide range from 20Hz to 20kHz, providing accurate audio reproduction and a low-latency of 3.2ms. The dynamic range shall be up to 120 dB. </p><p>Receivers provide single and dual channel options and have a menu option to guide the user step-by-step in setting up the RF frequency to either initiate new systems or add a new system to existing systems. The receiver shall sync the frequency to the transmitter via infrared lens. Once the system is setup, the receiver can store the configuration and restore it back if the configuration is changed accidentally. Receivers have both XLR and 1/4? audio outputs. The receiver can select the microphone level and line level output via menu operation.</p><p>Shure SLXD transmitters have a high-contrast OLED display indicating channel name, battery status, and frequency. Both the receiver and bodypack/handheld transmitter shall be able to be locked with the options of either locking the menu only, or locking both the menu and power. The transmitter is also be able to be temporarily unlocked and automatically locked back after a certain idle time. Transmitter bodypacks use a TA4M connector as the mic connection. The bodypack and handheld are powered by two AA batteries or the SH-SB903 lithium ion rechargeable battery. The bodypack and handheld shall be able to be docked and charged on a SBC203 dual docking charger.</p>