Delivering sound so detailed and real, the Earthworks <Strong>QTC30mp</strong> matched pair brings recordings to life and delivers a truly accurate snapshot of your sound.</p><p>Its near-perfect omnidirectional polar pattern is uniform across all specified frequencies, letting the microphone capture rich and consistent detail at any position around the capsule.</p><p>With an extended 3Hz - 30kHz ruler-flat frequency response (with no frequencies exaggerated or attenuated) the result is a more accurate representation of the original sound.</p><p>The QTC30 is time coherent, precisely capturing high and low frequency sounds with no phase errors, which will smear transients and create other time related distortions.</p><p>With an SPL rating of 140dB the QTC30 has plenty of headroom, so there is no need to worry about the microphone distorting. And there is no proximity effect, you can get the QTC30 as close as you want to the sound source.</p><p>Ideal for for recording quieter sources such as vocals, strings and distant miked orchestras or choirs, these low noise omnis are also an excellent choice for drum overheads, close-miked wind and percussion instruments, and foley.</p>
For those that demand the absolute best, the Earthworks <strong>FMR720HD/HC</strong> is a 27 inch hypercardioid high definition podium HD FlexMic™ Series podium microphones are the premium choice for permanent installation in podiums and other surfaces for speech applications.</p><p><strong>Performance</strong><br />Whether it is a seasoned professional or a public speaking novice stepping up to the microphone, the HD FlexMic™ has you covered. Optimized for speech, the FlexMic™ microphones feature a frequency response out to 40kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.</p><p>The near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker.</p><p>With 32dB or rear rejection, the FlexMic delivers more gain before feedback and exceptional isolation from unwanted sound sources.</p><p>Ideal for civic, corporate, court, government or worship spaces.</p><p><strong>Construction</strong><br />The FlexMic™ microphones feature a slim yet sturdy 7mm gooseneck that stays put when adjusted, while providing low profile sightlines. The gooseneck utilizes the latest in flex materials to virtually eliminate handling and movement noise.</p><p>A metal mesh windscreen coupled with layers of foam prevent the loud pop inducing bursts of stop consonants from reaching the microphone. For outdoor events, an additional foam windscreen accessory (FMW2) is available to help eliminate noise from high mph winds. Optional PMM1 permanent mount accessory available separately.</p><p><strong>Applications:</strong><br />Performance Art Centers<br />Corporate Boardrooms<br />Educational Facilities<br />Civic Centers<br />Stadiums<br />Courtrooms<br />Congress</p>
The Earthworks <strong>FMR500/HC</strong> FlexMic™ Series podium microphones are designed for permanent installation in podiums and other surfaces for speech applications.</p><p><strong>Performance</strong><br />Whether it is a seasoned professional or a public speaking novice stepping up to the microphone, the FlexMic™ has you covered. Optimized for speech, the FlexMic™ microphones feature a frequency response out to 20kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.</p><p>The near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker. Whether speaking above, below or to either side of the microphone, every word will be reproduced with incredible clarity and intelligibility up to 90 degrees off-axis. This wider coverage also means that a single Earthworks microphones can be used to properly cover more than one speaker.</p><p>With 32dB or rear rejection, the FlexMic™ delivers more gain before feedback and exceptional isolation from unwanted sound sources.</p><p>Ideal for civic, corporate, court, government or worship spaces.</p><p><strong>Construction</strong><br />The FlexMic™ microphones feature a slim yet sturdy 7mm gooseneck that stays put when adjusted, while providing low profile sightlines. The gooseneck utilizes the latest in flex materials to virtually eliminate handling and movement noise.</p><p>A metal mesh windscreen coupled with layers of foam prevent the loud pop inducing bursts of stop consonants from reaching the microphone. For outdoor events, an additional foam windscreen accessory (FMW2) is available to help eliminate noise from high mph winds. Optional PMM1 permanent mount accessory available separately.</p>
The Earthworks <strong>FW730/HCmp</strong> hypercardioid matched pair FlexWand™ Series 7' integrated microphone systems are designed for miking choirs.</p><p><strong>Performance</strong><br />When you do not want to compromise appearance for sound quality, the FW730 FlexWand™ provides the best of both worlds. Combining a 30kHz cardioid microphone, low profile microphone stand and boom as a single freestanding unit, the FW730 delivers a low profile and flexible miking solution for choirs and other applications.</p><p>Its near-perfect cardioid polar pattern is consistent across all frequencies, which simplifies microphone placement and and ensures more gain before feedback. With 32dB of rear rejection, it is ideal for live performances where there may be bleed from surrounding instruments.</p><p>The FW730 FlexWand's wide coverage area allows for the use of fewer Earthworks microphones with better coverage and sound quality. And there is no spotlighting, so no one voice will stand out ahead of the rest. Instead, your choir will sound like a unified voice instead of a bunch of separate voices.</p><p>Beyond its improved audio performance and coverage, the FlexWand is designed with functionality in mind. The microphone head can be positioned as high as 7 feet and as low as 1.5 feet from the floor or anywhere in between, allowing a nearly unlimited number of microphone positioning options.</p><p>Additionally, there are no visible wires or cables above floor level. Instead, the microphone cable plugs into the base of the microphone, making it incredibly low profile and clean.</p><p>While designed with the needs of choirs and orchestras in mind, the FW730 is also highly effective for drums and percussion, electric and acoustic instruments and speech.</p><p><strong>Construction</strong><br />Standing 7' 2" tall (2.18m) and measuring just .75 inches (19mm) at its widest point, the FW730 FlexWand™ provides both height and a very low profile appearance, virtually disappearing from sightlines in the congregation, audience or on camera.</p><p>The FW730 incorporates a large flex section near the center of the stand that couples the stand and the wand, allowing you to adjust the microphone from its tallest height at 7' 2" (2.18m) to 1.5' (0.45m) above the ground and anywhere in between. The mini-gooseneck between the end of the wand and the microphone head lets you precisely and quickly position the microphone for optimal coverage.</p><p>The sturdy cast iron base provides enough weight so that there is no concern of the FW730 FlexWand™ falling over if it is bumped into. Rather, the microphone easily stabilizes itself.</p><p>Optional 2 and 3 foot extensions available separately for added height.</p>
The Earthworks <strong>P30/Cmp-W</strong> Periscope is a matched pair 30 kHz cardioid flexible instrument gooseneck microphone designed for live performance and studio recording environments.</p><p><strong>Performance</strong><br />Designed to provide an ultra flexible miking option, the P30/C is ideal for a wide range of acoustic and electric instruments, as well as orchestra and choir.</p><p>Thanks to its flexible gooseneck, the P30/C provides extra simplicity when trying to find that sweet spot. Instead of having to reposition the whole microphone or mic stand, simply flex the gooseneck to quickly reposition the microphone. Its uniquely designed small microphone head also allows you to get into difficult places, such as under the strings of an acoustic string bass.</p><p>The P30/C's near-perfect hypercardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones. With over 30dB of rear rejection the P30/C is ideal for live performances or recording environments where there may be bleed from surrounding instruments.</p><p>It handles transients with ease, reproducing every detail no matter how sharp or subtle. Handling up to 139dB SPL without distortion, it's nearly impossible to overload the P30/C, even with the loudest instruments.</p>
The Earthworks SR40 is a world class multi-purpose instrument microphone designed for live performance and studio recording environments.</p><p><strong>Performance</strong><br />For a microphone that delivers uncompromising performance both onstage and in the studio, the SR40/HC is designed to seamlessly transition from tracking vocals in the studio to miking acoustic guitar onstage and everything in between.</p><p>The <strong>SR40/HC</strong>'s near-perfect hypercardioid polar pattern is consistent across all frequencies, simplifying mic placement, ensuring more gain before feedback and virtually eliminating phasing issues when using multiple microphones.</p><p>The extended frequency response from 20Hz - 40kHz reproduces sound with more depth and accuracy, especially for those instruments that include more high frequency overtones.</p><p>It handles transients with ease, reproducing every detail no matter how sharp or subtle. Capable of handling sound pressure levels of up to 139dB without distortion, the SR40/HC can handle nearly any instrument.</p><p>Its clean on-axis response provides maximum articulation up to 90 degrees off-axis, while rejecting off-axis noise and feedback from ambiance, surrounding instruments and nearby stage monitors thanks to its 32dB of rear rejection.</p><p>This multi-purpose microphone is equally at home miking acoustic guitar, brass, woodwinds, drums, guitar amp, vocals and more.</p>