12 channel AudioFetch system EXPANDABLE- Puts 12 Audio channels onto local Wi-Fi. Users download App for free. Accepts analog, optical, or digital coax for each input. Expandable to 32+ channels.</p><p>The Broadcastvision AudioFetch is the absolute best platform for providing local audio to smartphones and tablets across any application. The Fetch-family of products are employed in fitness, sports bars, restaurants, airports, digital signage, assistive listening, casinos & gaming, education, and more.</p><p>From the tiny, single input AudioFetch Express with integrated WiFi to a full 64-input AudioFetch deployment, each audio input gets dedicated processor power to ensure your application scales now, and for<br />the future.</p><p>The Broadcastvision AudioFetch app with simplicity in mind so it's user friendly with all age groups. Once you connect to the network, simply open the app and the app will immediately locate our unit and connect. No additional steps necessary.</p><p>The Broadcastvision AudioFetch portal called DogHouse allows you the abilty to easily post ads, track usage metrics and run reports. This is a great tool for those of you considering utilizing the ad portal to sell advertising space for additional revenue.</p>
40 years ago Galaxy Audio pioneered the small PA/personal monitor category with the innovative product called the HOT SPOT. Through the years they've offered groundbreaking designs in both powered and unpowered models. The all new Galaxy Audio PA6BT is the newest powered model in the Hot Spot line. Succeeding the PA6S, the PA6BT has kept the popular design and look of the PA6S, but with the addition of Bluetooth technology with its own volume control. The outer shell has kept the distinctive shape of the original Hot Spot, but with a 21st Century look. The cabinet now uses two specially designed speaker components, the new 155 watt NEOLITE 6.5" Woofer and their highly efficient 1.5" 60 watt Tweeter. </p><p>The PA6BT takes full advantage of recent improvements in speaker and amplifier technology, making it the lightest, most powerful, and best sounding compact PA system we've ever offered. Features such as the XLR pass-through on each channel allow independent control of mics without affecting the signal sent to the house PA. A -20dB Pad switch on each XLR input ensures that even the hottest signals will be accepted without overdriving the inputs. An additional 1/8" Line input on Channel 2 will accept stereo or mono signals from sources such as tape or digital medial players as well as line level instruments. </p><p>The new two-way speaker system gives the PA6BT a much wider frequency response than earlier models. This means that full range music, such as keyboards or backing tracks, will come through with solid bass and crisp highs. This enhanced frequency response makes the PA6BT a great stand-alone PA system for small club gigs as well as lectures and A/V presentations. Plus a simple adjustment of the 3-band EQ can alter the response for singers who love the time-honored accentuated midrange of the classic Hot Spot vocal monitor. The PA6BT gives you the best of both worlds. </p><p>The PA6BT has a built in 170 watt amplifier designed to handle the most demanding audio situations. This high tech Class D amplifier produces plenty of power to cover a wide variety of applications. This design allows the PA6BT to function both as a stand-alone PA system and as a high-powered vocal monitor to cut through loud stage volumes. For larger gigs that require more coverage, you may simply patch from the Preamp Output to the main house PA, while using the PA6BT as your onstage monitor.</p><p>The PA6BT also features a built in 18dB Compressor/Limiter circuit with Compressor and Clip LEDs. The Compressor acts to smooth out transient peaks in the signals, thus improving overall sound quality and increasing apparent volume. The Limiter helps protect the woofer and tweeter from being damaged by amplifier distortion. The Clip LED indicates when a reduction in volume is recommended.</p>
<b>Conference Room Sound System With Bluetooth</b><br />Pure Resonance Audio <b>CFSS-SD5RMA120BT</b> premium conference room sound solution provides 360° of incredible audio coverage with a high-performance 120W mixer amplifier. This speaker system includes a wide coverage, high fidelity, low profile speakers to cover up to 2,500 square feet with rich, crisp, and clear speech reproduction. Wirelessly stream audio with your Bluetooth-enabled device or connect your existing audio and/or video equipment via the mixer amplifier. This conference speaker system is perfect for conference venues, multi-function rooms, event rooms, meeting rooms or any other application where vocal intelligibility is needed.</p><p><b>Bluetooth Ready</b><br />Use a smartphone, tablet, laptop or Bluetooth enabled PC to easily stream audio wirelessly to the system from anywhere in the room. Simply press the Mode button on the RMA120BT or remote control until the display indicates "BT" then go to settings in your device and select "PA-02086" to pair. Once connected you're ready to play and control audio from your Bluetooth device.</p><p><b>SD5 Superdispersion Ceiling Speaker Array</b><br />The Pure Resonance Audio SD5 SuperDispersion® omnidirectional drop tile ceiling speaker array is the premium solution for speech reproduction and intelligibility that maximizes audio coverage. The SD5 drop ceiling speaker provides an industry-leading 50' by 50' of audio coverage in a smooth, even 360-degree coverage pattern and reproduces speech better than any ceiling speaker on the market today. Just one SD5 speaker takes the place of multiple traditional single ceiling speakers, saving money, simplifying and reducing installation time and cost, and optimizing performance.</p><p>RMA120BT 120W Rackmount Bluetooth Mixer Amplifier<br />The simple to operate Pure Resonance Audio RMA120BT 5-channel commercial rack mount mixer amplifier features 120 watts of high-performance power encased in a slim and lightweight space-saving design. This mixer amplifier provides quick and easy Bluetooth connection as well as the ability to accommodate most input sources like microphones, AV equipment, or computer audio. Adjust the audio levels/settings as well as control the volume to the SD5 speakers with the included remote control.</p><p><b>Quick And Easy To Install</b><br />Designed to install much quicker than a traditional ceiling speaker, the SD5 is built to save your most important currency, time. Simply remove one 2'x2' (or a cut 2'x4') ceiling tile, drop the SD5 into any standard drop-ceiling grid, and attach the speaker wire and safety cables. Detailed directions can be found in the provided manuals. Pay careful attention when pulling the speaker wire and hooking up the safety cables. No special audio skills are required. After the speakers and mixer amplifier are properly installed, connect your required input sources or pair a Bluetooth-enabled device, and adjust the volume to the desired level. Enjoy!</p><p><b>Emergency Audio Cutoff</b><br />In the event of an emergency, the RMA120BTs' emergency input (EMC In) can be configured to stop all other audio automatically. The emergency input takes priority over all other audio allowing an integrated emergency voice alarm system to be heard loud and clear. This input will work with an existing paging system, emergency paging mic, and, most importantly, a relay closure from a fire alarm system.</p>
<b>DACS Clarity HeadLite 3 - 4-channel Headphone Amplifier</b><br />Headphones are increasingly important for many aspects of audio production. With the quality of headphone design and manufacture is higher now than it has ever been. Ensuring the very best performance from these headphones requires they be driven by a dedicated headphone amplifier. These days "making do" with the headphone socket from the mix board just doesn't really do at all. Especially when there is more than one set of ears which need to listen in.</p><p><b>Clarity and Sound Quality</b><br />Whatever the headphone task the quality of the final result begins with whatever you can hear in your ears. Accurate representation of the whole audible frequency range is essential and any over-emphasis of certain bands, or overall mud or indistinctness in the sound, will inevitably affect both the overdub and the overview. The metering added to the busses that feed the amplifiers allows users to set their input levels, making sure what goes in to the amplifier will give optimum output performance.</p><p><b>Power</b><br />Amplifier power is not just about level (sound pressure level) it is about clean level (sonically pure level). A cheap headphone amplifier when pushed beyond its narrow limits can begin to distort before your headphones or your ears. Something that not only compromises the sound you can hear, it can also damage your hearing. A headphone amp which has enough power should be 'cruising' for the whole of its useable range. So the output signal is always as clean as the technical specifications indicate it should be.</p><p><b>Flexibility</b><br />In a studio you might use more than one set of headphones, without every listener wanting the same source. So a good headphone amplifier will provide multiple outputs with individual amplifiers for each and a choice of inputs.</p><p><b>Design</b><br />The DACS Clarity <b>HEADLITE III B</b> like all of DACS products are designed in the field by working engineers and developed by industrious boffins. It scores top marks in all of the above: Excellent Clarity and Sound Quality is ensured by the design of the amplifier which produces very low distortion and an extended and flat frequency range.</p><p>The Power of the output on the standard channels is more than sufficient to drive any headphone of any impedance. Special higher power channels can be specified to drive multiple headphones without loss of volume.</p><p><b>Flexibility</b><br />And the Flexibility is provided by four bussed inputs selectable in combination on each of the four stereo output amplifiers and eight physical outputs. The standard channel amplifiers of HeadLite 3 have power to spare. 125mW RMS into 150 Ohms - and each will easily and cleanly drive 400 Ohm headphones at possibly unwise maximum output levels. We fit HeadLite 3 with one high power channel for driving multiple headphones. In tests six 400 Ohm headphones were powered with no loss of level (additional channels can be specified with order or retro-fitted) - and has overall power output of over 200mW RMS into 600R.</p><p><b>Technical</b><br />Outputs for each channel appear on both the front and rear of the unit, and are able to drive long audio lines to remote headphone outlets such as in vocal booths or over-dub rooms. Users can select from the four inputs (A, B, C and D) to hear A and B, or C and D as stereo, and A, B, C or D as mono. This means you can send two different submixes to the HeadLite from the mixer aux-outs to suit two different purposes. For example, the drummer and the singer might well need to hear different balances in their headphone feeds.</p><p>HeadLite 3 offers excellent signal to noise ratios, low cross talk, very low distortion and a bass response that is flat well under 20Hz. The unit's frequency response (-0.5dB at 3hz to 35kHz) is substantially flatter (within 0.1dB over the 22Hz to 22kHz band) than its predecessor. Because of the design of the amplifier's output stage, its high frequency response does not suffer significantly, even down very long lines.</p>
<b>For the stage. For massive sound. For the road.</b><br />Developed for high expectations on live stages, the specially designed driver of the IE 100 PRO creates precise audio clarity for musicians in live sessions. Typical for the new type of membrane is a powerful, high-resolution and warm monitoring sound. With the included Bluetooth® module, the Sennheiser <b>IE 100 PRO WIRELESS</b> in-ears become comfortable everyday companions for your mobile phone, PC or tablet. With the built-in mic, phone calls or Webcasts are also possible.</p><p>Musicians and DJs choose the IE 100 PRO wireless set for its exceptional sound and high wearing comfort. Not only for live sessions, but also for producing on the road or as an everyday companion.</p><p>The in-ears come with 4 earpiece adapters that optimize the fit for every ear size and shape. The setup is stage-safe from the connection to the cable conduit.</p><p>Sophisticated monitoring sound for mixing on live stages, producing in the studio and everywhere in between.</p><p>Sound that guides and inspires</b><br />On stage, in the studio, during shoots or rehearsals, our IE PRO series is a precise tool for musicians, artists, media professionals and DJs. And with the BT Connector, you can rely on this sound on the go. A 10-hour battery life and high-quality codecs ensure the quality professionals expect.</p><p><b>Latest state-of-the-art technologies and low-latency transmission</b><br />To ensure the audio signal matches the screen without delay, we use the latest codecs such as AAC and AptX™ Low Latency. Bluetooth® 5.0 is integrated as sovereign standard as well as multi-pairing with two devices at the same time.</p><p><b>Stellar stage sound to go or for home use</b><br />We developed the IE 100 PRO for those moments when every nuance counts; in-ear monitoring on stages. You can also feel its power and precision on your mobile device or tablet: Go wireless with the IE PRO BT Connector. Earplugs in three sizes provide a comfortable fit for every auricle. They shield the environment with passive noise cancelling and remain comfortable even after hours of use.</p>
<b>Mark II, Inspired by You</b><br />Loaded with new productivity features inspired directly from user feedback, the <b>VR-50HD MK II</b> Multi-Format AV Mixer is the next evolution of Roland's industry-leading, all-in-one AV switcher with USB 3.0 streaming. Easily operated by a single person, the VR-50HD MK II continues to deliver best-in-class connectivity and flexibility, allowing you to work a wide range of events with different I/O requirements.</p><p><b>All-in-one convenience and ultra-flexible connectivity.</b><br />The powerful VR-50HD MK II is a completely self-contained AV solution, consolidating video switching, digital audio mixing, multi-viewer touchscreen control, and USB AV streaming into a single unit that's simple to run. And with the comprehensive rear patch panel, it's quick and easy to make on-the-fly input assignments to cross-points on the switcher.</p><p><b>Separate feeds for separate needs.</b><br />Live streams, HD recording, and the presenter confidence monitor often have separate visual needs from the main program output. The VR-50HD MK II has you covered, allowing you to send any of the connected input devices to a dedicated Aux output without affecting the main PGM destination. Use the Aux assignment panel buttons to switch the source, or synchronize the Aux output with the PGM (mixer) output to act as a built-in distribution amp.</p><p><b>Redesigned interface for free-flowing operation.</b><br />The VR-50HD MK II not only does more, it's also easier to operate via a redesigned user interface. Drilling down into menus while switching is a thing of the past, thanks to dedicated broadcast-style buttons for Aux, PinP, and Still sources. Select, Solo, and Mute buttons are included for all audio channels, speeding up the monitoring process. And with the large touchscreen multi-view monitor, you can view and assign inputs, display up to four still images, execute preview/program functions, and much more.</p>
<b>Sound Masking Speaker System With White Noise USB Card</b><br />Pure Resonance has taken the mystery out of sound masking by creating an affordable pocket-sized USB sound masking generator that's portable and incredibly easy to use. The Pure Resonance Audio <b>SMSS-4S3MA30BTPRIVACYWHT</b> PrivacyCard™ sound masking generator instantly incorporates white noise into your space by simply plugging into your amplifiers' USB drive. Extremely simple and versatile, this solution allows the user to mix our proprietary masking noise with background music as well.</p><p>Add ambient sound masking, speech privacy, background music, and paging into any area to create a comfortable atmosphere, increase privacy or simply mask a disruptive environment effectively forming a masking boundary where you need it most. This sound masking package is perfect for open office plans, medical facilities, call centers, banks and financial organizations, hotels, military and government agencies, law enforcement, law offices, spas, educational institutions and retail stores.</p><p>Ideal for commercial audio applications where quality sound and compact size matter the Pure Resonance Audio S3 70V micro surface-mount speakers reproduces vocals with clarity while maintaining a full and natural sound, great for background music and paging applications. This noise canceling speaker system includes four of our S3 3" speakers feature a durable ABS enclosure and adjustable ball-joint wall mount bracket built to last.</p><p>Also included is the MA30BT, along with our sound masking generator PrivacyCard™. This noise-canceling sound system package is the ideal cost-effective solution for providing ambient sound masking, background music and paging.</p>
<b>Studio Vocal Microphone</b><br />Audio-Technica's premier studio vocal microphone, the <b>AT5040</b> represents a milestone in condenser design, offering remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound. </p><p>Designed as a first-choice vocal microphone, the AT5040 cardioid condenser features an extremely smooth top end with controlled sibilance. Large-diaphragm characteristics and fast transient response also make it ideal for recording acoustic instruments such as piano, guitar, strings and saxophone. </p><p><b>Four-Part Rectangular Element</b><br />The first of our design criteria for the AT5040 was purity of sound. To achieve this, Audio-Technica engineers developed a four-part rectangular element, the pinnacle of our recent breakthroughs in sound-capture technology. Four exquisitely matched ultra-thin diaphragms function together (with outputs proprietarily summed) as Audio-Technica's largest-ever element, providing combined surface area twice that of a standard one-inch circular diaphragm. </p><p>By using four diaphragms in a single capsule, the AT5040 delivers the benefits of an exceptionally large diaphragm--along with an extremely low noise floor--without increased weight, decreased transient response or other drawbacks that typically restrict diaphragm size. </p><p>Another key AT5040 design feature is advanced internal shock mounting that effectively decouples the capsule from the microphone body. For additional isolation, each AT5040 is also provided with Audio-Technica's innovative new AT8480 shock mount. </p><p><b>100% Quality Control</b><br />Every AT5040 is hand assembled and individually inspected for 100% quality control. Each microphone is enclosed in an elegant housing of aluminum and brass with high-quality gray finish for durability and low reflectivity. </p><p>Discrete components have been selected for optimized capsule performance; in fact, every aspect of the microphone has been carefully considered to minimize any effects on the audio signal.</p>
<b>The SK-HD1800-ST1 package includes</b>:<br />SK-HD1800 Camera Head and TA-Z3 tripod adapter<br />VF-PBM307 7" HDTV Color LCD viewfinder with AT-750 mount<br />CU-HD1300 Fiber Optic CCU 19" rack mount<br />CA-HF1200 Fiber Optic camera head adapter<br />RU-1000VR basic remote unit with C-102RH 10 meter control cable</b>.</p><p>Hitachi's <b>SK-HD1800</b> is full HD progressive scan throughout the entire camera chain. Utilizing HITACHI's new generation 2/3" CMOS Global Shutter image sensors, it easily adapts to a wide range of difficult LED lighting conditions and large LED displays. The SK-HD1800 has motorized remote filters and delivers flawless high-performance in mobile trucks, TV studios, houses of worship, arenas and other venues. The SK-HD1800 camera system is capable of multiple High Dynamic Range profiles and retains all the popular functions and features of the Hitachi's existing camera line. Advanced specifications include F10 standard sensitivity with 62dB signal to noise and Real-time Lens Aberration Correction (RLAC). Its lightweight, two-piece dockable camera body offers maximum re-configuration ability with a choice of SMPTE 304M hybrid fiber optic cable, single-mode optical fiber transmission or Hitachi's new long-range digital triax system. The SK-HD1800 includes Triple-Masking functions, linear matrix and Skin Tone masking providing users with wide latitude in image color control. Outputs include 480i/576i SD-SDI, 720p, 1080i and 1080p HD-SDI @59.94Hz or 50Hz. When paired with the CU-HD1300(XX) CCU, SMPTE fiber, Triax cable, or both camera cables are available. Available Options include: Upconverted 4K 12G SDI or ST 2110 IP output. Dual workflow allows simultaneous HDTV outputs with HDR and SDR on separate outputs with individual video control.</p><p>The RU-1000VR is a compact remote operation panel designed for easy operation of standard camera functions. Iris and master black adjustments employ "VR-type" rotary knob controls and commonly used controls and functions are directly and instantaneously accessible to the video control engineer.</p>
<b>The small format mixer with large format power</b><br />The <b>StudioLive 64S</b> is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S III digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors - including 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.</p><p><b>The <i>best</i> digital mixer for recording - with or without a computer</b><br />PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks.</p><p><b>Remote control your digital mixer from anywhere, on any device</b><br />PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices.</p><p><b>Includes Studio Magic Plug-in Suite!</b><br />This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs.</p><p><b>PreSonus Metro</b><br />PreSonus Metro is the latest innovation for Studio Live Series III mixers, delivering a first-to-market solution for live remote mixing overthe Internet with high-quality, low-latency audio streaming. With Metro, anyone, anywhere in the world, can connect to a StudioLive Series III mixer over the Internet and begin remotely controlling the mixer using UC Surface while listening in real-time with their local audio device.<br /> <br />The first solution for live remote mixing with high-quality, low-latency audio over the Internet. MyPresonus account integration establishes a secure peer-to-peer connection between users to facilitate broadcast mixing, troubleshooting, podcast production, and more.</p><p>-Live Stream and Podcast Production - Produce a livestream or podcast from anywhere in the world.<br />-Troubleshooting - Troubleshoot StudioLive Series III mixers quickly and conveniently from your home or office.<br />-Remote Recording - Ensure that a remote recording session is properly gain staged.<br />-Corporate conference - Remotely mix an all-day conference panel from the comfort of your couch.<br />-Professional assistance - Dial in a scratch mix remotely for a less experienced on site FOH or monitor engineer to use as a starting point</p>
<b>The Speed of Sound</b><br />With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the "fastest audio interfaces on the planet." Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its best--whether you're recording with or without your favorite plug-ins engaged in real-time.</p><p><b>Timeless audio</b><br />Every design decision during <b>Quantum 2626</b> audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking--coupled with our ultra-transparent, pure analog XMAX preamps--result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms*).</p><p><em>*192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7 running macOS 10.12.5.</em></p><p><b>Superior Sound</b><br />Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And their lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.</p><p><b>Expansive audio</b><br />Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.</p><p><b>Award-winning recording software included</b><br />While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools.</p>
<strong>Beryllium Inverted Dome Tweeter with protective grill</strong><br />The <b>FOPRO-SOLO6BE</b> inverted dome tweeter is a hallmark of Focal. As a result of more than twenty years of development into a tweeter that could produce a high output, but without requiring high energy input and without increasing directivity. The introduction of the pure Beryllium dome, capable of covering 5 full octaves from 1,000 to 40,000Hz constitutes a new decisive advance regarding new audio formats. This tweeter capacity to reproduce high frequencies with unmatched speed and transparency. At first the pure Beryllium tweeter was only available on the very high-end digital speakers of the Focal Professional lines (SM8 & SM11), but is now featured on the new SM6 series, allowing an unprecedented price/performance ratio.</p><p><strong>The "W" Cone</strong><br />Focal has been developing the technologies of composite sandwich cones for more than 15 years. The "W" process (Glass/Foam/Glass), used on the SM11, SM8 and SM6 lines, provides a true optimiza a true optimization of the frequency response by fine tuning of mass, rigidity and damping parameters. The balance between these 3 fundamental and often contradictory parameters is at the base of the outstanding sound neutrality of our speakers. </p><p><strong>A Custom Designed Amplification Stage</strong><br />Designing an amp to be integrated inside a speaker requires a very different set of rules than for a traditional amp. Speaker size and cooling concerns are often in contradiction with the high quality and high power requirements of a sonically transparent speaker. Our engineers used the BASHr technology to develop the bass/medium amplification circuit for the SM6 professional line of speakers.</p><p>This was the only way to exploit the best of class AB style circuits (for exceptional quality) with a class D type yield, which is crucial when housing a 150W RMS circuit in such a small space (300W RMS for the Twin 6 and 350W RMS for the Sub6). A pure class AB circuit is sufficient to power the -less energy demanding- high frequency tweeter, allowing for an extremely wide bandwidth and exceptional accuracy.</p>
<strong>Community Pro I SERIES Point Source 800 loudspeaker series</strong> provide exemplary acoustic performance, modular flexibility and elegant aesthetics for modern performance venues. Designed to support the goals of systems integrators and consultants both acoustically and mechanically, I SERIES includes a wide variety of arrayable, rotatable coverage patterns and a comprehensive selection of modular bracket systems that accelerate system design and system commissioning.</p><p>FEA-optimized linear suspensions, high-flux neodymium motors, and integral demodulation rings ensure precise control and very low distortion at high SPL levels. The custom long-excursion LF driver delivers deep bass response and a balanced midrange in the most demanding applications. The HF compression driver's non-metallic diaphragm provides natural, transparent sound quality that accurately reproduces and complements any source.</p><p>The rotatable 13-inch (330mm) HF waveguide provides well-defined coverage and a smooth off-axis response that enhances arrayability. Individually voiced crossovers produce proper beamwidth matching transitions and identical sonic signatures, permitting horn patterns to be mixed throughout an installation. Additionally, user selectable single amp or biamp operating modes expand application flexibility.</p><p><br />Trapezoidal enclosure, solid birch plywood cabinets with discreet styling. High power 275W continuous power handling, 2-inch exit M200HP ketone polymer MR compression driver, 1.4-inch exit ketone polymer diaphragm neodymium HF driver. Rotatable constant-directivity horns. User selectable passive or biamp operation. Easily configured low profile rigging hardware available for multiple applications.</p><p><br /><strong>FEATURES:</strong><br />Matching ketone polymer MF and HF diaphragms provide unmatched uniform sound quality.<br />M200HP MF compression driver for signature Community intelligibility and articulation.<br />HF driver's non-metallic diaphragm and high-flux neodymium motor with demodulation ring, significantly reduces harsh HF break-up modes and distortion.<br />Innovative low profile modular bracket systems create elegant arrays with simplified installation.</p><p><strong>APPLICATIONS:</strong><br />Houses of Worship<br />Auditoriums<br />Restaurants<br />Meeting Rooms<br />Theaters<br />Corporate A/V Systems<br />Arenas<br />Stadiums<br />Night Clubs<br />Theaters<br />Themed Entertainment/Amusement Parks</p>
<strong>Community Pro I SERIES Point Source 800 loudspeaker series</strong> provide exemplary acoustic performance, modular flexibility and elegant aesthetics for modern performance venues. Designed to support the goals of systems integrators and consultants both acoustically and mechanically, I SERIES includes a wide variety of arrayable, rotatable coverage patterns and a comprehensive selection of modular bracket systems that accelerate system design and system commissioning.</p><p>FEA-optimized linear suspensions, high-flux neodymium motors, and integral demodulation rings ensure precise control and very low distortion at high SPL levels. The custom long-excursion LF driver delivers deep bass response and a balanced midrange in the most demanding applications. The HF compression driver's non-metallic diaphragm provides natural, transparent sound quality that accurately reproduces and complements any source.</p><p>The rotatable 13-inch (330mm) HF waveguide provides well-defined coverage and a smooth off-axis response that enhances arrayability. Individually voiced crossovers produce proper beamwidth matching transitions and identical sonic signatures, permitting horn patterns to be mixed throughout an installation. Additionally, user selectable single amp or biamp operating modes expand application flexibility.</p><p><strong>FEATURES:</strong> <br />High-flux, linear neodymium motors with demodulation rings for very low distortion. <br />Exceptional sound quality and clarity at very high output levels.<br />Lightweight and compact with deep LF extension.<br />Large rotatable waveguide with individually voiced crossover, single amp / biamp selectable.<br />Innovative low profile modular bracket systems create elegant arrays with simplified installation.</p><p><br /><strong>APPLICATIONS:</strong><br />Houses of Worship<br />Auditoriums<br />Restaurants<br />Meeting Rooms<br />Theaters<br />Corporate A/V Systems<br />Arenas<br />Stadiums<br />Night Clubs<br />Theaters<br />Themed Entertainment/Amusement Parks</p>
<strong>Complete digital integration for the analog studio.</strong><br />Designed for the needs of the recording professional, the PreSonus <b>Quantum 4848</b> is the perfect solution to take your analog gear into the digital domain. Equipped with 32 inputs and outputs of DB25 line-level connectivity and pristine digital conversion with 120 dB of dynamic range, the Quantum 4848 allows you to bring vintage and boutique analog gear into your DAW at blazingly fast speed thanks to its near-zero-latency Thunderbolt™ interface. 16 additional channels of ADAT Optical I/O let you tie in digital gear, and you can expand your simultaneous I/O to 192 channels. The included Studio One® Professional DAW features Pipeline XT, allowing you to use your analog gear as plug-ins inside your Studio One session.</p><p><strong>The perfect companion for your patchbay.</strong><br />With the Quantum 4848, your audio interface is an integrated extension of your recording environment. Rear panel DB25 line-level I/O makes connecting your Quantum 4848 to your existing analog patchbay a breeze. With 32 channels of inputs and outputs at sample rates up to 192 kHz, you can route audio from your vintage gear and analog recording console to your DAW and back in pristine quality, capturing every nuance of your boutique equipment. Integrating digital gear is facilitated by 16 channels of ADAT I/O. For a full compliment of 48 channels of conversion, you can simply add two DigiMax DP88s via the 16 ADAT channels. A true Thunderbolt device, up to 4 Quantum 4848 interfaces can be stacked to create a 192x192 system-or combine the Quantum 4848 with Quantum and Quantum 2 interfaces to add PreSonus' recallable XMAX Class A high-headroom preamps.</p><p><strong>Superior software integration.</strong><br />Studio One Professional's Pipeline XT plug-in lets you insert hardware processors into your Studio One session with automatic latency compensation. Once inserted, Pipeline XT functions just like any other plug-in effect, allowing you to drag and drop it from one channel to the next or change the insert order. Studio One's latency management allows you to stay in the native processing domain throughout the entire production process, so you can easily mix and match your favorite plug-ins with your favorite boutique hardware processors. Furthermore, Studio One allows the Quantum 4848 to go as fast as you need-flexible dropout protection reduces the risk of audio dropouts in large, CPU-heavy songs, even at very small buffer settings.</p>
<strong>Don't let yesterdays gear keep you from creating tomorrows masterpiece. Ensemble Design has got your back....in High Definition no less!</strong></p><p>BrightEye 90-A is a versatile up/down/cross converter or aspect ratio converter for use with analog and digital video signals. Simply set the BrightEye 90-A to output your facility's preferred HD or SD standard. The BrightEye 90-A will accommodate whatever input you connect - analog composite, SD SDI or HD SDI. After setting the output standard, BrightEye 90-A automatically converts the selected input to the correct standard for your facility. BrightEye 90-A will upconvert, downconvert, cross convert, or act as an ARC, as needed. The built-in Frame Synchronizer allows you to feed asynchronous signals to the BrightEye 90-A. An external reference input allows genlock to a house reference. All vertical interval data and closed captioning is faithfully passed.</p><p><strong>Upconverting to High Definition</strong></p><p>Feed the analog composite or SD SDI output of a camera to a BrightEye 90-A and upconvert to HD. You can take the HD signal from the BrightEye 90-A into a switcher or projection system. Upconverting existing SD equipment lets you leverage the equipment you already have and operate in the HD domain.</p><p>While some cameras may have firewire out, using the video output and upconverting before distribution is preferable since longer cable runs can be achieved and quality is superior. Additionally, the BrightEye 90-A's reference input allows you to time the upconverted video output for use with a production switcher.</p><p><strong>Downconverting to Standard Definition</strong></p><p>BrightEye 90-A will downconvert any type of HD signal and provides both an SD SDI and an analog composite output suitable for broadcast or monitoring.</p><p><strong>Cross Conversion</strong></p><p>It's easy to convert between various HD standards, whether 720p or 1080i. Simply select the output standard you need and connect the input, that's all there is to it.</p><p><strong>Aspect Ratio Conversion</strong></p><p>For converting between SD 4:3 and HD 16:9, BrightEye 90-A has you covered. Just select the output standard you need and connect the input.</p><p><strong>Audio Processing Made Simple</strong></p><p>BrightEye 90-A handles both embedded audio and eight channels of analog audio. Sixteen channels of embedded audio are supported in BrightEye 90-A. If the incoming video has embedded audio, the audio will be safely bypassed around the video processing and lipsync will be preserved. Audio mixing is available for two of the four embedded groups of audio. The analog audio I/O ports can be configured for eight channels of incoming audio or for eight channels of audio output. The audio mixer can be used for analog audio as well. Mixer controls are accessed through BrightEye Mac or PC software.</p><p><strong>Monitoring for Video and Audio</strong></p><p>Audio monitoring is easy with BrightEye 90-A's convenient 3.5mm mini jack. Select the audio channels you want to monitor from the front panel and plug in a headset.</p><p>The HDMI connector on the rear of the unit provides a future proof monitoring interface. Plug it into most computer monitors for confidence monitoring of your feed.<strong>Front Panel and Software Control</strong></p><p>Input selection, gain control, and test pattern controls are provided through the front panel interface. Audio presence LEDs indicate which channels are detected. Controls for crop, letterbox and pillarbox are accessed from the front panel or BrightEye Mac or PC software. Video and audio levels and the audio mixer can be adjusted through BrightEye Mac or PC software.</p><p><strong>Power supply is included.</strong></p>
<strong>Easy To Use</strong></p><p>BrightEye 90-FA is a versatile up/down/cross converter or aspect ratio converter for use with analog and digital video signals with the addition of an optical output. Optical connectivity allows for long cable runs between buildings or in mobile applications. Simply set the BrightEye 90-FA to output your facility's preferred HD or SD standard. The BrightEye 90-FA will accommodate whatever input you connect - analog composite, SD SDI or HD SDI. After setting the output standard, BrightEye 90-FA automatically converts the selected input to the correct standard for your facility. BrightEye 90-FA will upconvert, downconvert, cross convert, or act as an ARC, as needed. The built-in Frame Synchronizer allows you to feed asynchronous signals to the BrightEye 90-FA. An external reference input allows genlock to a house reference. All vertical interval data and closed captioning is faithfully passed.</p><p><strong>Upconverting to High Definition</strong></p><p>Feed the analog composite or SD SDI output of a camera to a BrightEye 90-FA and upconvert to HD. You can take the HD signal from the BrightEye 90-FA into a switcher or projection system. Upconverting existing SD equipment lets you leverage the equipment you already have and operate in the HD domain.</p><p>While some cameras may have firewire out, using the video output and upconverting before distribution is preferable since longer cable runs can be achieved and quality is superior. Additionally, the BrightEye 90- FA's reference input allows you to time the upconverted video output for use with a production switcher.</p><p><strong>Downconverting to Standard Definition</strong></p><p>BrightEye 90-FA will downconvert any type of HD signal and provides both an SD SDI and an analog composite output suitable for broadcast or monitoring.</p><p><strong>Cross Conversion</strong></p><p>It's easy to convert between various HD standards, whether 720p or 1080i. Simply select the output standard you need and connect the input, that's all there is to it.</p><p><strong>Aspect Ratio Conversion</strong></p><p>For converting between SD 4:3 and HD 16:9, BrightEye 90-FA has you covered. Just select the output standard you need and connect the input.</p><p><strong>Audio Processing Made Simple</strong></p><p>BrightEye 90-FA handles both embedded audio and eight channels of analog audio. Sixteen channels of embedded audio are supported in BrightEye 90-FA. If the incoming video has embedded audio, the audio will be safely bypassed around the video processing and lipsync will be preserved. Audio mixing is available for two of the four embedded groups of audio. The analog audio I/O ports can be configured for eight channels of incoming audio or for eight channels of audio output. The audio mixer can be used for analog audio as well. Mixer controls are accessed through BrightEye Mac or PC software.</p><p><strong>Monitoring for Video and Audio</strong></p><p>Audio monitoring is easy with BrightEye 90-FA's convenient 3.5mm mini jack. Select the audio channels you want to monitor from the front panel and plug in a headset.</p><p>The HDMI connector on the rear of the unit provides a future proof monitoring interface. Plug it into most computer monitors for confidence monitoring of your feed.</p><p><strong>Front Panel and Software Control</strong></p><p>Input selection, gain control, and test patterns control are provided through the front panel interface. Audio presence LEDs indicate which channels are detected. Controls for crop, letterbox and pillarbox are accessed from the front panel or BrightEye Mac or PC software. Video and audio levels and the audio mixer can be adjusted through BrightEye Mac or PC software.</p><p><strong>Power supply is included.</strong></p><p><br /><strong>PLEASE NOTE</strong> Fiber output is 1 fiber (simplex) SingleMode on an SC connector. Multimode compatible with 8 dB attenuation at transmit end. Please refer to datasheet tab for detailed specs.</p>
<strong>Portable 3G/HD/SD Generation, Analysis & Video/Audio Monitoring</strong><br />The PHABRIX <strong>SxA</strong> offers all of the same advanced signal generation, analysis and monitoring capabilities as the SxE, without the advanced Real-Time SDI physical layer analysis (eye and jitter instruments)</p><p>There's support for SMPTE compliance testing with over 350 different formats. An extensive array of video and audio tools includes a signal generator with moving test patterns, a high performance waveform, and ANC/VANC inspector. The SxA also offers 16 channel audio generation and metering with support for Dolby® E, Dolby® Digital and Dolby® Digital metadata and bitstream analysis.</p><p><strong>Extensive video & audio toolset</strong><br />The SxA offers an extensive array of video and audio tools, including a signal generator with moving test patterns, and high performance waveform and vectorscope instruments. It supports test and measurement with over 350 formats for highly effective compliance monitoring.</p><p>Other key capabilities include Dolby® E, Dolby® Digital and Dolby® Digital Plus bitstream analysis, as well as video status logging, and remote operation over Ethernet.</p><p><strong>Ultra-portable, rugged design</strong><br />The SxA offers exceptional mobility with a lightweight (0.7 kg) but rugged aluminium case with integral, high quality screen for instrument display and video monitoring.</p><p>The generator/analyzer operates via rechargeable lithium battery for up to 2 hours, and can also be powered by the mains to offer flexible operation around facilities.</p><p><strong>Fast operation</strong><br />With its color coded GUI that simplifies signal and instrument selection, the Sx series generator/analyzers offer unmatched ease of use for busy engineers who need to diagnose faults and assure compliance quickly.</p>
<strong>Rack Mount H.264 Encoder</strong><br />Slice 656 from Teradek is a rack mount HD-SDI high profile H.264 encoder and decoder solution for mission critical enterprise applications. Slice enables video professionals to broadcast low latency high definition 1080p video for IPTV, streaming servers, OTT content, set-top boxes, and recorders at an unprecedented price. </p><p><strong>Comprehensive Protocol Support</strong><br />Slice encoders output a variety of stream types, including MPEG Transport Stream, RTMP, RTSP, and RTP Multicast. </p><p><strong>Additional Features</strong><br />Slice supports all standard resolutions up to 1080p at 10mbps. Slice can utilize IFB communication and remote monitoring features that give broadcasters full control over their IP video deployments. </p><p><strong>Core Fleet Management</strong><br />Core is Teradek's new cloud-based encoder fleet management system. From a single elegant web GUI, you can monitor and control all of your Teradek encoders, cellular bonding systems, and decoders effortlessly. The interface allows you to direct streams from any one encoder to any number of decoders, even if both are behind firewalls or on private networks. All the encoding and transmission parameters can be controlled remotely from any location, allowing your field reporters to focus on the content and not the transmission gear. The automatic device discovery and drag and drop workflow makes entering IP addresses a thing of the past, while customizable warnings and notifications ensure that things keep operating smoothly.</p>
<strong>Studio sound. Live performance.</strong><br />PreSonus <strong>StudioLive® 312AI</strong> Active Integration loudspeakers deliver studio-monitor accuracy onstage with unprecedented onboard processing and networking features in a compact form factor. PreSonus® Active Integration technology enables wireless and wired networking control for setup, tuning, and monitoring functions, using an iPad®, a Mac® or Windows® laptop, or both. The StudioLive 312AI provides the best imaging and intelligibility in its class, making it an ideal choice for installations and mobile applications where high fidelity matters.</p><p><strong>Three-way coverage with power to spare.</strong><br />A compact, full-range system with a smooth midrange and rich low end, the StudioLive 312AI delivers 3-way coverage, with a 12-inch low-frequency driver and our proprietary 8-inch, CoActual® coaxial speaker for mid- and high-frequency reproduction. These transducers are driven by a hefty 2,000W RMS of triamplified, Class D power, all housed in a compact enclosure. The 312AI is time- and phase-aligned to form a true 4-way system when paired with the StudioLive 18sAI subwoofer, with or without the highpass filter engaged, to provide an optional overlap at 100 Hz for applications that require a little more low-end punch.</p><p><strong>The CoActual difference.</strong><br />PreSonus' proprietary CoActual 8-inch, horn-loaded coaxial speaker offers a consistent acoustic center and is responsible for high- and mid-frequency reproduction. The single point source provided by this coaxial design offers unique advantages, thanks to the driver's symmetrical response. The net result is exceptional 3D imaging and a natural listening experience that reveals the subtlest details.</p><p><strong>Networkable with Wi-Fi, Ethernet, or Dante.</strong><br />The StudioLive 312AI comes equipped for wireless and wired communications over an Ethernet or Wi-Fi local area network for monitoring and control over custom tuning settings. Better yet, add the SL-Dante-SPK option card to create a Dante network and ditch your analog cables in favor of lightweight CAT5e or CAT6 cables.</p>
<strong>The Most Flexible Video Wall Solution</strong></p><p>With the instant flexibility of SmartAVI's StretcherPro-HD, you can easily turn the walls of your business into a high tech video information center, at an affordable price. As you change the images on the fly your customers will appreciate this delightful experience. They will enjoy the outstanding quality and the mood it creates. While they're being entertained, the StretcherPro-HD lets you effortlessly program some advertising revenue into your bottom line.</p><p>The new StretcherPro-HD is capable of stretching any HD display over four screens, while maintaining any resolution up to 1920x1080 on each screen. This powerful new version stretches the video image in multiple ways including: Wall Mode (2x2), Dual Horizontal (2x1), Dual vertical (1x2), or Clone the image (1:1).</p><p>There are times when system architects do look beyond a 2x2 video display - shopping mall centerpieces, airport displays, concert events, theme park attraction queues, or nightclub venues, for example. StretcherPro-HD is expandable and versatile enough to meet the needs of systems integrators - from modest jobs to more complicated designs.</p><p><strong>Multiple Layout Options</strong></p><p>StretcherPro-HD supports any video input resolution from 800 x 600 up to 1920 x 1080 (high definition). The beauty of this unit is that regardless of the scaling - from one to all four screens - StretcherPro-HD maintains the original resolution quality of the image on all monitors, delivering a crisp, perfect image to your audience every time.</p><p>SmartAVI's StretcherPro-HD is the perfect entry-level display wall solution that has been aggressively priced within the market, without the complexity of external computer control or setup.</p><p><strong>On Screen Display</strong></p><p>All of the StretcherPro-HD's functions are controlled through On Screen Display (OSD). OSD gives users great flexibility and ease of use when looking to manage their video wall. By simply selecting from the SmartAVI menu, configuring the StretcherPro-HD on the fly is no hassle at all, with no additional screens or computers required to make changes. Users can also choose to operate the OSD through IR remote. RS-232 control is supported, as well.</p>
<strong>Tune and Demodulate 4 RF carriers (channels and sub-channels), re-multiplex with ASI & IP; output ASI & IP</strong><br />Thor <strong>H-IRD-V4S</strong> system has 4x independent RF tuner inputs. Several different RF tuner cards are available - Satellite - DVBS/S2, off Air ATSC, DVB-T, ISDB-T and Cable TV QAM (model dependent)</p><p>Each input can be set to a different RF channel. The IRD will scan selected channels and discover all Video programs (subchannels) inside the channel.</p><p>Program streams from all four tuners as well as the IP and ASI inputs can be multiplexed and remapped in any order. Independent output pipes for IP / ASI and RF QAM are fully configurable. </p><p>The unit has a MUX option and each video program from the RF input and can be selected for output as :</p><p>1 ) IP TS (MPTS) multicast / unicast output (RF to IP applications) <br />1) CATV RF QAM Channel (RF to QAM applications) <br />2) IP TS (MPTS) multicast / unicast output (RF to IP applications) <br />3) ASI (MPTS) output- (RF to ASI applications) </p><p>The unit has 4 CAM slots for Satellite (DVB-S/S2) encrypted channels. Industry standard support for Conditional Access is provided by 4 Common Interface (CI) slots. These slots support CAM modules such as CableCard or any other system using the PCMCIA interface. In addition to descrambling programs from the RF tuners, the CAM system can also decrypt transport streams from the IP & ASI interfaces. </p><p>Depending on the Operator, the required CAM Module could be, NDS VIDEOGUARD, CONAX, IRDETO, NAGRA VISION, etc.</p><p>This platform is ideal for program aggregation and multiplexing in cable TV headends and corporate MATV systems. Full configuration and management are available on the front panel LCD and keypad, and remote access and monitoring are available on a dedicated NMS network port for control through a web browser.</p>
<strong>Two-Way 5.25 inch (135mm) Coaxial Mushroom Landscape Speaker</strong></p><p>Designed for outdoor applications, the highly weather resistant Control 80 Series Landscape speakers provide excellent full-range sound quality and 360 degree coverage. Designed to be mounted on or in the ground, Control 80 Series Landscape speakers can be used in a wide variety of applications including shopping malls, theme parks, sports venues, hotels, casinos, resorts, restaurants, hospitality and leisure venues, entrance ways, and anywhere a high quality music and/or paging speaker landscape speaker is required. Compact in design, the speaker is unobtrusive and easily blends in with its surroundings. A tough polyethylene enclosure resists abuse from lawn care equipment and the elements, and the enclosure color extends throughout the material so the speaker will maintain color even when scraped or scratched.</p>
<strong>When is a scan converter not just a scan converter...? When it's an Ensemble Designs BrightEye Mitto 2 Pro Scan Converter!</strong></p><p>Don't let the title fool you! Ensemble Designs has created something greater than the sum of all it's parts. Were you aware that you can use the BrightEye Mitto 2 Pro for Character Generation.... or use Skype, iChat and Facetime in your production or live show! Facebook and YouTube interviews can be brought directly into your video production with ease! You can also convert video from your mobile devices like your iPhone and iPad into SDI digital video. It's also Ideal for PowerPoint and Keynote presentations. The possibilities are endless. </p><p>The BrightEye Mitto family of high performance scan converters provides a new way to take just about any source to 3G, HD or SD SDI video. Computer video can now be used for the most demanding applications including broadcast, high-end military, medical, classroom, church and corporate. All Mitto units accept VGA, DVI and HDMI input signals from PC and Mac computers.</p><p> With six different BrightEye Mitto units to choose from, each with varying types of outputs and capabilities, you have the freedom to explore the best one for your particular video application. All BrightEye Mitto units convert YouTube, Skype video, weather radar, emails and maps to video. Just a small part of the screen, such as a Skype window, can be selected with a mouse and converted to full screen HD. Ensemble uses the latest technology in its proprietary upconversion and filtering and that means you have the best looking video. Compare Mitto to any other scan converter and see the difference!</p>
A2-7300 Series units are high quality audio format converters designed primarily to provide maximum format flexibility for the C2-7310 HD Audio/Video Processor's audio inputs and outputs. The C2-7310 provides AES3-id audio I/O via two HD-44 Connectors. Any two of the A2-7300 models, or two of the same model, can connect to these connectors to bring the AES3-id signals out to BNC connectors or to change the audio format completely. All of the AES audio channels can be synchronized to a DARS reference when connected to the C2-7310 via any of the A2-7300 units. Additionally, the A2-7300 units may be used in conjunction with one another, without the C2-7310, to provide bi-directional analog/digital or AES3/AES3-id conversion. The <strong></p><p>A2-7302</strong> provides an HD-44 interface to 16 AES (8-in/8-out) on XLR connectors and a DARS reference input on a BNC connector. This unit contains eight balanced AES to AES3-id converters, plus eight AES3-id to balanced AES converters to provide AES I/O.</p><p>A2-7312 provides an HD-44 interface to 16 AES3-id (8-in/8-out) and a DARS reference input on BNCs mounted on a 1RU panel via a 1.5 meter (4.5') interconnect cable. The connectors may be separated from the panel if system wiring requirements dictate.</p><p>A2-7322 provides an HD-44 to 16 Analog Stereo (8-in/8-out), balanced or unbalanced, on terminals and a DARS reference input on a BNC connector. This unit contains eight high quality stereo analog to AES3-id converters, plus eight high quality AES3-id to stereo analog converters. The audio sample rate is user adjustable in stand alone mode using DIP switches or selectable from the C2-7310 menu when connected. </p><p>A2-7342 provides an HD-44 to 8 Analog Stereo (4-in/4-out) on XLR?s and a DARS reference input on a BNC connector. This unit contains four high quality stereo analog to AES3-id converters, plus four high quality AES3-id to stereo analog. The audio sample rate is user adjustable in stand alone mode using DIP switches or selected from the C2-7310 menu when connected.</p>
ADDER Link INFINITY dual provides you with high performance KVM over IP and allows you to build a flexible infrastructure, the likes of which have not been possible before. Locate computers anywhere you like, share connections to computers, watch the interactions others have with computers, share control, collaborate, switch computers, and so on.</p><p>The ADDER Link INFINITY range is also the first of its kind to allow multicasting across your network. The ADDER Link INFINITY dual interfaces USB peripherals such as the keyboard, mouse or graphics tablet, together with DVI for the video display, over a layer 3, standard gigabit ethernet network, on copper or fiber.</p>
Affectionately known in Japan as "Ni-Go-Maru" (Japanese for "250"), the Azden 250 Series is a collection of four professional XLR shotgun microphones, each designed with a particular video application in mind. The Ni-Go-Maru Series delivers high-quality audio performance and world-class build quality at a very attractive price point. All 4 models are backed by Azden's amazing 10-year warranty.</p><p>Azden has been making shotgun microphones specifically for the film and broadcast industry for over 20 years, but now with the introduction of the all new SGM-250 Professional Dual Powered Shotgun Microphone, Azden has Raised The Bar. Azden engineers have taken a ground up approach to designing the SGM-250, setting a higher standard not just within their own product line, but also across the market with other shotgun microphones in the same price range. The SGM-250's newly designed microphone element drastically improves performance in sensitivity, frequency response and signal to noise ratio. The brass alloy, all-metal case provides rugged durability and strong resistance to RF. The microphone's uniquely designed, slotted, acoustic barrel exhibits excellent super-cardioid directionality and side noise rejection.</p><p>The SGM-250 can be powered by battery or phantom power with no perceivable loss in performance between the two, providing the user with maximum flexibility without compromise. No need to remove the battery in order to switch to phantom power; just flip the easily accessible switch on the microphone's body. A convenient LED light is also provided to let you know if the battery is good or needs replacing soon. Even the microphone's low-cut filter is a point of improvement: set at a higher cut-off frequency than most other microphones, and a more gradual roll-off, it produces a much more natural sounding reduction in low frequency response. Measuring 250mm in length (about 10 inches) the SGM-250 is suitable for almost any filming situation. Long enough to capture great sound from a distance while mounted to a boom pole or on top of a shoulder cam, its still unobtrusive enough to be used on compact DSLR cameras.</p>
Anton Bauer <b>8075-0299</b> P-Tap to Nikon D500, D610, D750, D800, D810, D850, D7000, D7100, D7200, D7500, Z6, Z7 (20") allows you to power the camera using your Titon Base. The cable regulates power from the P-Tap to the proper voltage (9v) required by the camera.</p>