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Products with this attribute (408884 total)

The Neumann SKM 184 MT is a stereo set of miniature condenser mics with a black finish and cardioid polar pattern. A member of Neumann's Series 180 mics, its optimized mechanical construction and conscious omission of modularity make the SKM 184 ideal for for economy-minded production and home recording studios. <br /> <br /> <strong>Applications</strong> <br />Their slender shapes and the transmission characteristics described below make the &quot;Series 180&quot; especially suitable for a very wide range of tasks in the radio and television sector. <br /> <br /> <strong>Acoustic features</strong> <br />The KM 183 and KM 184 microphones are the successors of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success. The KM 185 rounds out the series with a hypercardioid microphone. <br /> <br />The KM 184 is a pressure transducer that features a very smooth frequency responses not only for the 0 axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. <br /> <br />Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0 frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances. <br /> <br /> <strong>Electrical features</strong> <br />The Series 180 microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications: <br /> <br />Compared to the KM 84 the dynamic range of the KM 184 increased by 24dB mainly through the reduction of self-noise level to only 22dB (CCIR) and an increased sound pressure handlingcapability of up to 138dB. <br /> <br />The microphones operate witMiniature microphone for all typical studio applications <br />Successor of the world-renowned KM 83/84 <br />Transformerless circuitry
The new HDX-SDI Thunderbolt video interface serves video and audio professionals alike by supplying broadcast-quality video capture and monitoring, combined with fully synchronized multi-channel audio recording and playback, all with plug-and-play, daisy-chainable Thunderbolt connectivity. Post production workflows have converged on the computer desktop, where audio and video are now produced in parallel on tight schedules and budgets. The HDX hits the sweet spot as a versatile I/O box that helps users effectively serve a broader range of customers and post production challenges.</p><p><strong>The ultimate Thunderbolt video interface</strong></p><p>Connect any video source to the HDX-SDI, from SD camcorders to today's latest professional HD cameras, then log and capture HD or SD clips directly into your video editing software.<br />Full Raster <br />For the best-possible image quality, capture uncompressed video via HD-SDI or HDMI with 4:2:2 10-bit color depth and full-raster 1920x1080 HD resolution. Many cameras feed their uncompressed SDI, HDMI or component output directly from the camera's optics and imager, before compression, for absolutely pristine picture quality during capture with the HDX-SDI.</p><p><strong>Go ahead, choose your workflow</strong></p><p>If you prefer to edit more conveniently at a lower data rate, use Apple ProRes, ProRes HQ, Avid DNxHD, or the codec of your choice in Avid Media Composer, Apple Final Cut Pro, or Adobe Premiere Pro. Because the HDX-SDI delivers 10-bit uncompressed video to the computer, you are not limited to a particular codec and are instead free to go with the host-based workflow of your choice, including many popular file-based formats now supported by today's video editing software.<br /> <br />By using a codec directly supported by your editing software, you eliminate unnecessary extra stages of compression and decompression for maximum CPU efficiency and smooth editing.</p><p>As you edit, monitor your timeline with pixel-for-pixel accuracy on a large plasma screen via digital HDMI output, with color-corrected balance on an LCD reference monitor via HD-SDI output, or with the real-world look of a consumer display via analog HD or SD component, composite or S-Video output.</p><p><strong>Putting the Audio back in AV</strong></p><p>Capture and monitor up to 16 channels of audio (analog, AES/EBU or embedded) at sample rates up to 96 kHz. Employ Sony 9-pin machine control for advanced Batch Capture and Edit to Tape operations. Keep everything frame-accurate using time code and video reference.</p><p>From initial capture to final finishing, the HDX-SDI delivers exceptional video I/O performance and quality.</p>