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If a project requires you to use a small ENG camera, you are going to need a fluid head that can carry a heavy load without compromising on smooth movement. The Sachtler <b>1394</b> DV 12 SB Fluid Head has a 12-step counterbalance system and a 70 mm sliding plate for perfect balance, while five horizontal and vertical grades of drag ensures smooth pans.</p><p>Supporting cameras weighing up to 15 kg, the Sachtler DV 12 SB Fluid Head's mix of flexibility and simplicity make it a reliable companion in even the most demanding of environments. The Touch & Go release systems means that you can mount your camera quickly, accurately and securely. Moving and adjusting shots is as simple as flicking a switch, meaning that there is less time fumbling and more time being creative.</p><p>When you need to work quickly and effectively, you need a tripod that won't slow you down. The best-selling Sachtler dual-extractible ENG 2CF carbon fibre tripod gives you optimal stability and reliable performance in every environment. Lightweight and twist-resistant, the one-piece carbon fibre design features a 100 mm bowl with tube diameter of 22 mm. The Sachtler quick clamping system makes locking the tripod in place securely as simple as three quick movements.</p><p>This tripod's dual extension provides improved reliability, boosting height range and carrying a payload of 40 kg. Weighing in at 2.4 kg with a transport length of 70 cm, the Sachtler ENG 2 CF provides a balance between lightweight and durability so that you never have to sacrifice performance for comfort and transportability.</p>
If you're a content creator seeking maximum engagement, livestreaming outperforms uploaded video by a significant margin; audiences are larger, watch for longer and post more comments. Roland's <b>VR-1HD</b> lets you broadcast dynamic multi-camera livestreams, complete with amazing picture and sound that easily outshines 'standard' livestreams from a mobile phone or static webcam. Whether you're a creator, gamer, commentator or presenter, it's the easy way to livestream with high production standards. And since you're going to get more comments, ensure they're good ones with the VR-1HD.</p><p>The VR-1HD has three "worry-free" HDMI inputs, and each one accepts a variety of HD and computer-based video resolutions. This lets you connect, switch and stream different sources including cameras, presentations, gameplay and even smartphones and tablets without having to think about it. The audio from these sources can be blended with the two studio-quality XLR microphone inputs and dedicated line input. Best of all, as the VR-1HD is designed for live broadcasting, its dedicated controls and top-mounted mic input (with gooseneck mic) let you go hands-free and headset-free while livestreaming.</p><p>When preparing a video for uploading, your editing software can add some impressive layering options, including professional transitions that make `live-switched' videos look boring by comparison. The VR-1HD has built-in Scene Switching to instantly jump between scenes that contain preset arrangements of layered sources, displayed within customizable inset windows. Set-up the scenes in advance and recall them via the five scene preset buttons, to make your livestreaming way more interesting.</p><p>When you're presenting a livestreamed vlog or nailing a live music performance, you'd normally need another person to help switch cameras. The VR-1HD lets you go it alone with three Auto Switching modes that take the strain once the broadcast begins; Video Follows Audio, Beat Sync Switching, and Auto Scan.</p>
In the fickle world of Audio & Video formats, <b>Trinity</b> is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, <b>Trinity</b> is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, <b>Trinity</b> is in the roots of great percentage of the contemporary music and movie productions. <b>Trinity</b> is also an integral component of some of the largest live concerts and events nowadays.</p><p>Powered by an ultra stable oven controlled crystal oscillator, <b>Trinity's</b> completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.<br />An atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.</p><p><b>Trinity</b> takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjus&trade;ent in cents or percent!<br />With its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.</p>
Increase your video and audio I/O capacity with Corvid 44. Configure each SDI connection individually as input or output and mix formats for up to 4 HD or SD channels on a single card. As demand rises for higher resolutions, combine SDI connections into a single 4K/UHD channel, allowing incredible flexibility and futureproofing.</p><p><strong>Flexible Multi-format I/O</strong><br />Each BNC connection on Corvid 44 can be set programmatically as either an input or output and each can support a different video format, provided all format use the same clock timing. Connections can also be linked together to support Dual Link or 4K/UHD formats.</p><p><strong>High Frame Rate support</strong><br />Corvid 44 supports 4K (4096 x 2160) and UltraHD (3840 x 2160) High Frame Rate (HFR) workflows. Working at frame rates of 48p, 50p and 60p ensure smooth motion for the most demanding 4K and UHD applications.</p><p>High frame rates are not limited to 4K and UHD with Corvid 44, multiple 720p and 1080p HD inputs and outputs are also supported at frame rates up to 50p and 60p, making Corvid 44 extremely flexible for your current and future needs.</p><p><strong>LTC and Reference input</strong><br />Corvid 44 provides one external, switchable LTC/Reference input connection on the back of the card. A second LTC input is available on an internal header for providing additional reference to Corvid 44.</p><p><strong>RS-422</strong><br />A built-in RS-422 connection is available either as an external connection on the full-sized Corvid 44 or as an internal connection on the low-profile Corvid 44. RS-422 allows control of external devices for frame accurate ingest and layoffs.</p>
Inspired by the popular UHF CP Beam antenna, the RF Venue <b>24BEAM</b> lightweight, miniaturized version is built for maximum gain in the 2.4 GHz band. Painstakingly designed and tested in their laboratory, it provides significant performance improvements over other 2.4 GHz directional antennas intended for networking devices-antennas that make many compromises.</p><p>The 2.4 GHz CP Beam is well-suited for use with Line 6&reg; digital wireless microphones, ClearCom&reg; Tempest intercoms, and Zaxcom&reg; Zaxnet devices. It is also equally at home extending Wi-Fi networks or other 2.4 GHz ISM devices like phones, tablets, and (yes) drones.</p><p>With 12 dBd of gain, it significantly increases useable range, indoors or out. The 2.4 GHz CP Beam's circularly polarized element also reduces signal dropouts and improves link quality.</p><p>The element is protected by a durable ABS enclosure, and includes a mounting block with 1/4-20, 3/8-16, and 5/8-27 threads.</p><p>This antenna works with all 2.4 GHz transmit or receive radio equipment that accepts external antennas. We sell most of these to complement Line6 wireless microphones, and Zaxcom Zaxnet capable transceivers, but as long as your device transmits or receives signals between 2.4 and 2.5 GHz and has a coaxial out or in, the 2.4 GHz will work. For transmit applications, please remember the EIRP limitation in the United States is 4W. Operating a device with an EIRP above 4W in the 2.4 GHz unlicensed band is illegal.</p><p><b>Benefits of 2.4 GHz CP Beam Antenna</b><br />Most 2.4 GHz antennas are designed for data, not real-time audio or timecode applications. These antennas have been engineered to be "good enough," because data is about delivering enough packets in near, but not total, real time. 90% packet delivery is an acceptable metric in the wireless data world. 90% packet or audio delivery in the wireless audio world is unacceptably low. The 2.4 GHz CP Beam does not cut the corners because our end-users need their signals to be as reliable as possible.</p>
Introducing the AW-HE130, a pan/tilt/zoom camera incorporating recently-developed high-sensitivity, low-noise 1/3" 3-MOS imagers that produce stunning pictures, even in low light conditions. Revolutionary new features include Power over Ethernet+ (POE+) for easier integration, and multi-stream transmission of H.264 HD video and audio (up to 1080/60p at 25Mbps.) The HE130 adds many innovative features to Panasonic's AW-HE120 PTZ, which has become the de facto standard remote control camera for educational, government, and house of worship use, and is likewise prevalent in news, staging, sports, and reality television production. Additional new features in the HE130 are a 3G-SDI output (up to 1080/60p); stereo mic/line-level inputs for embedded and streaming audio; a Night Mode for hi-res, near IR video acquisition (using an optional IR-illuminator in the 900nm range); an Optical Image Stabilizer (O.I.S); and IP-Live Preview for remote control and management of up to 16 cameras via Browser.</p><p>With an exceptional signal to noise ratio of 60dB (F8/2000lx, minimum illumination, 2.0 1x), 1000 TV lines of resolution, and such advanced features as 12-axis color correction and Panasonic's exclusive DRS (Dynamic Range Stretch) and Hybrid Digital Noise Reduction, the HE130 continues to set performance standards for integrated pan-tilt cameras. The HE130 includes the same new three 2.4 megapixel MOS imagers and Digital Signal Processor (DSP) used in Panasonic's latest broadcast camcorders, such as the AJ-PX270. Equipped with a fast F1.6 20X zoom lens plus a new high-res 1.4X digital extender, the compact HE130 is ideally matched to demanding applications in sports, rental/staging, news, and business and institutional video. </p><p>Standard professional interfaces include HD/SD-SDI, HDMI, and SD composite, as well as 3G-SDI for single cable delivery of high-quality content up to 1080/60p. In addition to continuing RS-422 serial compatibility with controllers designed for use with previous generations of Panasonic remote camera systems, the HE130 supports both direct and Web-based IP remote control. Direct IP or serial control is possible using Panasonic's AW-RP50N and AW-RP120, as well as appropriately programmed systems from Crestron, AMX, Winnov, and other manufacturers. In addition, the camera's built-in Web-server enables secure control, live preview, and setup from browser-equipped PCs-anywhere in the world.</p><p>Streaming video output is available from the HE130 in several forms and formats, and at a wide range of transmission speeds. For remote production and video acquisition, four simultaneous streams are available in either H.264 or JPEG. Video resolutions of up to 1080/60p are available at rates of up to 25Mbps. For IP-Live remote monitoring and control, up to 16 cameras may be viewed simultaneously in a single Browser window, with extensive onscreen camera controls available when a single camera is selected for viewing.</p><p>The camera's integrated pan-tilt head covers a wide range of motion, with a pan of +/-175&deg; and a tilt of -30&deg; to 210&deg;. The pan-tilt driver combines a high level of responsiveness with static precision. An NC (Noise Criteria) level of 35 is maintained for shooting in noise sensitive environments. Up to 100 preset positions and camera settings are stored in the camera, more than enough for the most demanding large venue installation. The camera weighs only 6.8 lbs., and consumes just over 21 watts at 12 VDC.</p>
Introducing the Panasonic <b>AW-HN130</b> PTZ camera, capable of production quality Full HD video output up to 1080/60p with NDI&reg;HX, in addition to 3G-SDI and HDMI. Equipped with three newly developed 1/2.86 MOS sensors for high sensitivity, a superior S/N ratio, and high resolution. The AW-HN130W/K also supports PoE+, so the camera only needs one LAN cable for its power supply, control, and video output.</p><p><b>The Ultimate Broadcast PTZ Camera</b><br />The AW-HN130 is a flexible remote video production camera which adds many innovative features to Panasonic's previous AW-HE120/130 PTZ which has become the de facto standard remote control camera for educational, government, and house of worship use and is likewise prevalent in news, staging, sports and reality television production.</p><p><b>Advanced Video Processing for High Quality Video Image</b><br />With an exceptional signal to noise ratio of 60dB (F8/2000lx minimum illumination 2.0 1x), 1000 TV lines of resolution and such advanced features as 12-axis color correction and Panasonic's exclusive DRS (Dynamic Range Stretch) and Hybrid Digital Noise Reduction, the HN130 continues to set performance standards for integrated pan-tilt cameras. The HN130 includes the same new three 2.4 megapixel MOS imagers and Digital Signal Processor (DSP) used in Panasonic's latest broadcast camcorders such as the AJ-PX270.</p><p><b>20x Zoom Lens with Optical Image Stabilization & Digital Extender</b><br />The AW-HN130 professional PTZ camera features an exceptional 20x optical zoom range, with the ability to push it to 10x digital zoom.</p>
IoGear's <b>GWSSKIT Wireless Screen Sharing kit</b> is the perfect solution for wirelessly streaming video and audio from your PC or Android device to an HDTV, HD Projector or Display. Enjoy all your favorite PC content such as movies, videos, photos, applications and online sites including YouTube&reg;, Hulu&reg;, and Netflix&reg; in Full HD without the hassle of connecting cables. With support for Intel WiDi and Miracast, stream or cast content from your Android device or Windows 10 (OEM installations only) PC to an HDTV. For legacy operating systems such as Windows 7, 8.1 and 10 (upgraded installations from Windows 7 or 8.1 only), use the included USB Wireless Transmitter and software to mirror your PC display from a small screen to the big screen.Wirelessly display your favorite apps, games, videos, photos, music and Internet content from your Smart Phone, Tablet or Laptop to your HDTV, HD Projector or HD Display. Send video and audio wirelessly up to 50ft (15m). Full HD 1080p video resolution playback support.</p><p><b>Wirelessly Mirror Your PC or Android Device's Display!</b><br />IOGEAR's Wireless Screen Sharing kit is the perfect solution for wirelessly streaming video and audio from your PC or Android device to an HDTV, HD Projector or Display. Enjoy all your favorite PC content such as movies, videos, photos, applications and online sites including YouTuber, Hulur, and Netflixr in Full HD without the hassle of connecting cables.With support for Intel WiDi and Miracast, stream or cast content from your Android device or Windows 10 (OEM installations only) PC to an HDTV. For legacy operating systems such as Windows 7, 8.1 and 10 (upgraded installations from Windows 7 or 8.1 only), use the included USB Wireless Transmitter and software to mirror your PC display from a small screen to the big screen.</p><p><b>Full HD 1080p Playback Support!</b><br />Cutting the wire from your Android devices or Windows-based PC to your HD display doesn't mean compromising your viewing experience! With the Wireless Screen Sharing kit, you are able to stream video and audio from your PC, Android phone or tablet in Full HD 1080p resolution ensuring that content being played back from your device looks as good on your HDTV or projector as it does on your device's display.</p><p><b>Dedicated Wireless Display Connection!</b><br />IOGEAR's Wireless Screen Sharing kit does not require an existing wireless network to transmit your PC's display. By creating its own dedicated wireless connection, stream as much content as you want from your PC or Android device without impacting the performance of Wi-Fi networks being used to connect you to the Internet.</p><p><b>Effective for Business and Education!</b><br />This device was designed to increase efficiency in an environment where multiple users need to access a single HD display or HD projector. It is also effective in an environment where a simple PC to TV or HD projector connection is needed. Stream video and audio from a laptop or computer directly to the TVs in an office lobby or waiting room. Update content on the fly and display wait times. Perfect for business presentations allowing multiple users to present from their laptops. In the classroom, students can share their projects or presentations through the projector directly from their own laptops.</p>
Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHD MXF recorder and player supporting the latest connectivity including 3G-SDI, Fiber and HDMI 2.0, as well as large raster high frame rate workflows, including 4K 60p. </p><p>Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra Plus suits a wide range of production and post environments.</p><p><strong>Multi-Channel HD Recording</strong><br />Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra Plus.</p><p>Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra Plus and save power, space, time and effort on set,<br />in the studio and when setting up OB trucks.</p><p>Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode; select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.</p><p>Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak1000 media. Ki Pro Ultra Plus even allows rollover to a second Pak1000 for hours of uninterrupted multi-channel recording.</p><p><strong>Ki Protect</strong><br />Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.</p><p>While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace-of-mind on set and in the studo, essential for multi-channel recording.</p><p><strong>4K and HD Monitoring</strong><br />Ki Pro Ultra Plus provides full resolution outputs for 4K, UltraHD and HD over 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display. </p>
Looking for a simple solution to feed the same 1080p content across multiple HD Displays in your House of Worship or Digital Signage Application? Or possibly your task is getting the Projection System in the new Huddle Room up and running? Whatever the project, when you need to distribute a single HDMI source to up to 8 HDMI displays simultaneously, the Ocean Matrix OMX-HDMI-HDB1X8 CAT6 Splitter/Extender System is the right choice for the job! </p><p>The OMX-HDMI-HDB1X8 delivers a full 1080p 60Hz HDMI signal up to 394 feet over a single Cat6 network cable! This Video and Audio Splitter/Extender System incorporates HDbitT (High Definition Digital bit Transmission Technology) protocol that gives you high performance over long distances without the use of a convertor. The HDbitT technology allows the rack mountable OMX-HDMI-HDB1X8 to distribute the signal through switches and routers to multiple receivers and displays WITHOUT any loss in image quality! An IR signal transmission even provides remote control of the source from a secondary location with the included IR extension cables. This HDCP compatible Extender/Splitter also has the flexibility to use existing Cat5e and Cat5 networks and supports multiple resolutions. Whether your setting up a high end CCTV/Security System or linking up the HD Displays across your home the Ocean Matrix OMX-HDMI-HDB1X8 HDMI Splitter/Extender System is the perfect choice to get the job done!</p><p><strong>Please Note:</strong> The unit is open box, but is in working condition.</p>
Marshall Electronics next generation Compact GENLOCK CV365-CGB PROSeries Camera adds the convenience of Signal Sync at camera level to ensure seamless switch transitions between cameras on location.</p><p>Using Tri-Level Sync the CV365-CGB locks 3G/HD video signals (genlock) up to 1920x1080p @ 59.94/50/60 frames per second, as well as 1920x1080i @ 59.94/50/60fps and 1280x720p @ 59.94/50/60fps. Also featuring a 3.5mm TRS Mic Input with 2.5V power to microphone and broadcast convenient HDSDI/3GSDI (BNC) & HDMI (v1.3) simultaneous outputs. Built around next generation chip sets and a state-of-the-art 1/3" megapixel sensor improves every aspect of previous models. Capturing broadcast quality HD video from 2,476,296 pixels (2.5MP) of clear, crisp video at full-HD resolutions of 1920x1080i, 1920x1080p, 1280x720p & frame-rates of 60/59.94/50/30/29.97/25fps.</p><p>New proprietary pixel technology offers the lowest noise ratio on the market today capturing sharp, vivid color images in very low light conditions. Industry leading low power consumption draws very low power in full-HD resolutions. CV365-CGB PRO-Series POV Cameras continue to offer Field-of-View flexibility with interchangeable lenses. Expanded RS-485 protocols offer remote camera control (RCP) communication via VISCA and PELCO where commands can be sent without OSD Menu. Marshall PRO-Series Cameras continue to establish a broadcast standard for POV cameras with ease of use and broadcast centric feature sets.</p><p><strong>Please Note:</strong> Body only! Lens sold separately. <br />Power supply included.</p>
New from Lexicon Pro is a new USB desktop recording solution, the Lambda Desktop Recording Studio. The system includes everything needed for portable and professional recordings, including the Lambda Studio USB I/O mixer, Steinberg's Cubase LE multi-track PC and Mac OS X recording software as well as the Lexicon Pantheon reverb VST plug-in.</p><p>The original Lexicon Pro Omega Studio integrated computer recording system includes the Omega 8x4x2 USB I/O mixer with a VST version of the world-class Pantheon Lexicon reverb plug-in, coupled with Steinberg's cross-platform Cubase LE featuring 48-track audio / 64 MIDI tracks, up to eight VST instruments, two insert/four aux sends per channel and ASIO drivers.</p><p>Now joining the Omega Studio is the new Lexicon Lambda Desktop Recording Studio, a bus-powered USB audio I/O Mixer and MIDI interface that comes as a complete recording solution with Cubase LE and Pantheon VST Reverb plug-in. Based on the Omega Studio, the Lambda Studio features two XLR microphone inputs designed by dbx, with TRS inserts and switchable +48V phantom power. Rounding out the full complement of connectivity on the Lambda are two TRS balanced 1/4" line inputs, two TRS balanced line outputs, a 1/8" front-panel mounted high-power headphone output jack, a front-panel ultra-high-impedance instrument input, and MIDI input and output.</p><p>Conveniently powered directly from the USB bus, the Lambda Studio can stream four channels of 44.1 or 48 kHz audio at either 16- or 24-bit resolution to Mac or PC computers. Users can record two tracks at once from up to four input sources, as well as recording MIDI. The microphone and line inputs have individual level controls and peak meters, and are summed at the analog-to-digital bus. Mono / stereo monitoring is provided, as is Zero-latency Direct / Playback Monitoring, allowing for delay-free overdubs. A 2-channel, 4-segment LED bar graph meter indicates input level, and phantom power and USB LED indicators provide status information.</p>