Ideal for larger venues and systems requiring more portable devices, the <b>LA-311</b> 16-unit charging/carrying case from Listen Technologies provides the storage, charging, and portability you need. Compatible with numerous Listen RF products (LT-700, LR-200, LR-300, LR-400 or LR-500), the LA-311 offers drop-in charging and secure storage in a durable, lightweight case. Each slot automatically shuts off power once a full charge is achieved, and there is an individual earphone slot for easier cable management. A large interior pocket adds convenience with storage space for the power supply, headsets, and more, and the nylon shoulder strap makes it easy to carry to and from meetings and venues. (NOTE: Case not suitable as a shipping container)</p>
If you're a content creator seeking maximum engagement, livestreaming outperforms uploaded video by a significant margin; audiences are larger, watch for longer and post more comments. Roland's <b>VR-1HD</b> lets you broadcast dynamic multi-camera livestreams, complete with amazing picture and sound that easily outshines 'standard' livestreams from a mobile phone or static webcam. Whether you're a creator, gamer, commentator or presenter, it's the easy way to livestream with high production standards. And since you're going to get more comments, ensure they're good ones with the VR-1HD.</p><p>The VR-1HD has three "worry-free" HDMI inputs, and each one accepts a variety of HD and computer-based video resolutions. This lets you connect, switch and stream different sources including cameras, presentations, gameplay and even smartphones and tablets without having to think about it. The audio from these sources can be blended with the two studio-quality XLR microphone inputs and dedicated line input. Best of all, as the VR-1HD is designed for live broadcasting, its dedicated controls and top-mounted mic input (with gooseneck mic) let you go hands-free and headset-free while livestreaming.</p><p>When preparing a video for uploading, your editing software can add some impressive layering options, including professional transitions that make `live-switched' videos look boring by comparison. The VR-1HD has built-in Scene Switching to instantly jump between scenes that contain preset arrangements of layered sources, displayed within customizable inset windows. Set-up the scenes in advance and recall them via the five scene preset buttons, to make your livestreaming way more interesting.</p><p>When you're presenting a livestreamed vlog or nailing a live music performance, you'd normally need another person to help switch cameras. The VR-1HD lets you go it alone with three Auto Switching modes that take the strain once the broadcast begins; Video Follows Audio, Beat Sync Switching, and Auto Scan.</p>
In the fickle world of Audio & Video formats, <b>Trinity</b> is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, <b>Trinity</b> is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, <b>Trinity</b> is in the roots of great percentage of the contemporary music and movie productions. <b>Trinity</b> is also an integral component of some of the largest live concerts and events nowadays.</p><p>Powered by an ultra stable oven controlled crystal oscillator, <b>Trinity's</b> completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.<br />An atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.</p><p><b>Trinity</b> takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjus™ent in cents or percent!<br />With its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.</p>
Inspired by the popular UHF CP Beam antenna, the RF Venue <b>24BEAM</b> lightweight, miniaturized version is built for maximum gain in the 2.4 GHz band. Painstakingly designed and tested in their laboratory, it provides significant performance improvements over other 2.4 GHz directional antennas intended for networking devices-antennas that make many compromises.</p><p>The 2.4 GHz CP Beam is well-suited for use with Line 6® digital wireless microphones, ClearCom® Tempest intercoms, and Zaxcom® Zaxnet devices. It is also equally at home extending Wi-Fi networks or other 2.4 GHz ISM devices like phones, tablets, and (yes) drones.</p><p>With 12 dBd of gain, it significantly increases useable range, indoors or out. The 2.4 GHz CP Beam's circularly polarized element also reduces signal dropouts and improves link quality.</p><p>The element is protected by a durable ABS enclosure, and includes a mounting block with 1/4-20, 3/8-16, and 5/8-27 threads.</p><p>This antenna works with all 2.4 GHz transmit or receive radio equipment that accepts external antennas. We sell most of these to complement Line6 wireless microphones, and Zaxcom Zaxnet capable transceivers, but as long as your device transmits or receives signals between 2.4 and 2.5 GHz and has a coaxial out or in, the 2.4 GHz will work. For transmit applications, please remember the EIRP limitation in the United States is 4W. Operating a device with an EIRP above 4W in the 2.4 GHz unlicensed band is illegal.</p><p><b>Benefits of 2.4 GHz CP Beam Antenna</b><br />Most 2.4 GHz antennas are designed for data, not real-time audio or timecode applications. These antennas have been engineered to be "good enough," because data is about delivering enough packets in near, but not total, real time. 90% packet delivery is an acceptable metric in the wireless data world. 90% packet or audio delivery in the wireless audio world is unacceptably low. The 2.4 GHz CP Beam does not cut the corners because our end-users need their signals to be as reliable as possible.</p>
Introducing the AW-HE130, a pan/tilt/zoom camera incorporating recently-developed high-sensitivity, low-noise 1/3" 3-MOS imagers that produce stunning pictures, even in low light conditions. Revolutionary new features include Power over Ethernet+ (POE+) for easier integration, and multi-stream transmission of H.264 HD video and audio (up to 1080/60p at 25Mbps.) The HE130 adds many innovative features to Panasonic's AW-HE120 PTZ, which has become the de facto standard remote control camera for educational, government, and house of worship use, and is likewise prevalent in news, staging, sports, and reality television production. Additional new features in the HE130 are a 3G-SDI output (up to 1080/60p); stereo mic/line-level inputs for embedded and streaming audio; a Night Mode for hi-res, near IR video acquisition (using an optional IR-illuminator in the 900nm range); an Optical Image Stabilizer (O.I.S); and IP-Live Preview for remote control and management of up to 16 cameras via Browser.</p><p>With an exceptional signal to noise ratio of 60dB (F8/2000lx, minimum illumination, 2.0 1x), 1000 TV lines of resolution, and such advanced features as 12-axis color correction and Panasonic's exclusive DRS (Dynamic Range Stretch) and Hybrid Digital Noise Reduction, the HE130 continues to set performance standards for integrated pan-tilt cameras. The HE130 includes the same new three 2.4 megapixel MOS imagers and Digital Signal Processor (DSP) used in Panasonic's latest broadcast camcorders, such as the AJ-PX270. Equipped with a fast F1.6 20X zoom lens plus a new high-res 1.4X digital extender, the compact HE130 is ideally matched to demanding applications in sports, rental/staging, news, and business and institutional video. </p><p>Standard professional interfaces include HD/SD-SDI, HDMI, and SD composite, as well as 3G-SDI for single cable delivery of high-quality content up to 1080/60p. In addition to continuing RS-422 serial compatibility with controllers designed for use with previous generations of Panasonic remote camera systems, the HE130 supports both direct and Web-based IP remote control. Direct IP or serial control is possible using Panasonic's AW-RP50N and AW-RP120, as well as appropriately programmed systems from Crestron, AMX, Winnov, and other manufacturers. In addition, the camera's built-in Web-server enables secure control, live preview, and setup from browser-equipped PCs-anywhere in the world.</p><p>Streaming video output is available from the HE130 in several forms and formats, and at a wide range of transmission speeds. For remote production and video acquisition, four simultaneous streams are available in either H.264 or JPEG. Video resolutions of up to 1080/60p are available at rates of up to 25Mbps. For IP-Live remote monitoring and control, up to 16 cameras may be viewed simultaneously in a single Browser window, with extensive onscreen camera controls available when a single camera is selected for viewing.</p><p>The camera's integrated pan-tilt head covers a wide range of motion, with a pan of +/-175° and a tilt of -30° to 210°. The pan-tilt driver combines a high level of responsiveness with static precision. An NC (Noise Criteria) level of 35 is maintained for shooting in noise sensitive environments. Up to 100 preset positions and camera settings are stored in the camera, more than enough for the most demanding large venue installation. The camera weighs only 6.8 lbs., and consumes just over 21 watts at 12 VDC.</p>
Introducing the Panasonic <b>AW-HN130</b> PTZ camera, capable of production quality Full HD video output up to 1080/60p with NDI®HX, in addition to 3G-SDI and HDMI. Equipped with three newly developed 1/2.86 MOS sensors for high sensitivity, a superior S/N ratio, and high resolution. The AW-HN130W/K also supports PoE+, so the camera only needs one LAN cable for its power supply, control, and video output.</p><p><b>The Ultimate Broadcast PTZ Camera</b><br />The AW-HN130 is a flexible remote video production camera which adds many innovative features to Panasonic's previous AW-HE120/130 PTZ which has become the de facto standard remote control camera for educational, government, and house of worship use and is likewise prevalent in news, staging, sports and reality television production.</p><p><b>Advanced Video Processing for High Quality Video Image</b><br />With an exceptional signal to noise ratio of 60dB (F8/2000lx minimum illumination 2.0 1x), 1000 TV lines of resolution and such advanced features as 12-axis color correction and Panasonic's exclusive DRS (Dynamic Range Stretch) and Hybrid Digital Noise Reduction, the HN130 continues to set performance standards for integrated pan-tilt cameras. The HN130 includes the same new three 2.4 megapixel MOS imagers and Digital Signal Processor (DSP) used in Panasonic's latest broadcast camcorders such as the AJ-PX270.</p><p><b>20x Zoom Lens with Optical Image Stabilization & Digital Extender</b><br />The AW-HN130 professional PTZ camera features an exceptional 20x optical zoom range, with the ability to push it to 10x digital zoom.</p>
IoGear's <b>GWSSKIT Wireless Screen Sharing kit</b> is the perfect solution for wirelessly streaming video and audio from your PC or Android device to an HDTV, HD Projector or Display. Enjoy all your favorite PC content such as movies, videos, photos, applications and online sites including YouTube®, Hulu®, and Netflix® in Full HD without the hassle of connecting cables. With support for Intel WiDi and Miracast, stream or cast content from your Android device or Windows 10 (OEM installations only) PC to an HDTV. For legacy operating systems such as Windows 7, 8.1 and 10 (upgraded installations from Windows 7 or 8.1 only), use the included USB Wireless Transmitter and software to mirror your PC display from a small screen to the big screen.Wirelessly display your favorite apps, games, videos, photos, music and Internet content from your Smart Phone, Tablet or Laptop to your HDTV, HD Projector or HD Display. Send video and audio wirelessly up to 50ft (15m). Full HD 1080p video resolution playback support.</p><p><b>Wirelessly Mirror Your PC or Android Device's Display!</b><br />IOGEAR's Wireless Screen Sharing kit is the perfect solution for wirelessly streaming video and audio from your PC or Android device to an HDTV, HD Projector or Display. Enjoy all your favorite PC content such as movies, videos, photos, applications and online sites including YouTuber, Hulur, and Netflixr in Full HD without the hassle of connecting cables.With support for Intel WiDi and Miracast, stream or cast content from your Android device or Windows 10 (OEM installations only) PC to an HDTV. For legacy operating systems such as Windows 7, 8.1 and 10 (upgraded installations from Windows 7 or 8.1 only), use the included USB Wireless Transmitter and software to mirror your PC display from a small screen to the big screen.</p><p><b>Full HD 1080p Playback Support!</b><br />Cutting the wire from your Android devices or Windows-based PC to your HD display doesn't mean compromising your viewing experience! With the Wireless Screen Sharing kit, you are able to stream video and audio from your PC, Android phone or tablet in Full HD 1080p resolution ensuring that content being played back from your device looks as good on your HDTV or projector as it does on your device's display.</p><p><b>Dedicated Wireless Display Connection!</b><br />IOGEAR's Wireless Screen Sharing kit does not require an existing wireless network to transmit your PC's display. By creating its own dedicated wireless connection, stream as much content as you want from your PC or Android device without impacting the performance of Wi-Fi networks being used to connect you to the Internet.</p><p><b>Effective for Business and Education!</b><br />This device was designed to increase efficiency in an environment where multiple users need to access a single HD display or HD projector. It is also effective in an environment where a simple PC to TV or HD projector connection is needed. Stream video and audio from a laptop or computer directly to the TVs in an office lobby or waiting room. Update content on the fly and display wait times. Perfect for business presentations allowing multiple users to present from their laptops. In the classroom, students can share their projects or presentations through the projector directly from their own laptops.</p>
Ki Pro Ultra Plus is a Multi-Channel Apple ProRes recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes or Avid DNxHD MXF recorder and player supporting the latest connectivity including 3G-SDI, Fiber and HDMI 2.0, as well as large raster high frame rate workflows, including 4K 60p. </p><p>Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra Plus suits a wide range of production and post environments.</p><p><strong>Multi-Channel HD Recording</strong><br />Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra Plus.</p><p>Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra Plus and save power, space, time and effort on set,<br />in the studio and when setting up OB trucks.</p><p>Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode; select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.</p><p>Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak1000 media. Ki Pro Ultra Plus even allows rollover to a second Pak1000 for hours of uninterrupted multi-channel recording.</p><p><strong>Ki Protect</strong><br />Ki Pro Ultra Plus includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.</p><p>While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace-of-mind on set and in the studo, essential for multi-channel recording.</p><p><strong>4K and HD Monitoring</strong><br />Ki Pro Ultra Plus provides full resolution outputs for 4K, UltraHD and HD over 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display. </p>
MXWANI4 enables easy out-of-the-box system setup with no additional networking hardware required. With per-channel analog outputs, it is the central point for connecting and distributing Microflex Wireless systems to conference room AV networks.MicroflexWireless microphone systems bring modern design and vivid, lifelike sound to signature boardrooms and AV conferencing environments. This enterprise-scale platform encompasses a system of advanced conferencing products that includes intelligent rechargeable microphone transmitters and charging stations, discreet wireless access point transceivers, flexible audio network interfaces, and<br />comprehensive software tools for remote adjustment and monitoring of system settings.</p><p><b>PREMIUM CONFERENCING AUDIO FOR ELITE BOARDROOMS.</b><br />Vivid Lifelike Sound, Versatile Microphone Selection, Discreet Designs, Scalable Solutions.</p><p><b>NETWORKED DIGITAL WIRELESS FOR ENTERPRISE-SCALE ENVIRONMENTS.</b><br />Dante Digital Audio Networking, Ethernet Connectivity, Control System Compatible, Microflex Wireless Control Software.</p><p><b>INTELLIGENT PERFORMANCE, SIMPLIFIED SETUP & OPERATION.</b><br />Advanced Rechargeable Power Management, Automated Frequency Coordination, Encrypted Wireless, Assignable RF output power.</p>
My Custom Shop proudly builds video rack panels and patchbays in their US facility using only quality components from suppliers such as Neutrik, Switchcraft, Canare, and Senko. With 20 years of experience in the custom metal plate and panel industry, My Custom Shop now offers a diverse variety of standard models in 1, 2, and 3RU sizes, with connector options including BNCs, RCAs, F-connectors, HDMI and more.</p>
My Custom Shop proudly builds video rack panels and patchbays in their US facility using only quality components from suppliers such as Neutrik, Switchcraft, Canare, and Senko. With 20 years of experience in the custom metal plate and panel industry, My Custom Shop now offers a diverse variety of standard models in 1, 2, and 3RU sizes, with connector options including BNCs, RCAs, F-connectors, HDMI and more.</p>
Neumann is excited to introduce its latest innovation, the KH 120, representing the first product in the new line of Neumann Studio Monitors. </p><p>The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 A represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD (TM), flexible acoustical controls, analog class-AB amplifiers, a large headroom analog input and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.</p><p>The KH 120 is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.</p>
New from Lexicon Pro is a new USB desktop recording solution, the Lambda Desktop Recording Studio. The system includes everything needed for portable and professional recordings, including the Lambda Studio USB I/O mixer, Steinberg's Cubase LE multi-track PC and Mac OS X recording software as well as the Lexicon Pantheon reverb VST plug-in.</p><p>The original Lexicon Pro Omega Studio integrated computer recording system includes the Omega 8x4x2 USB I/O mixer with a VST version of the world-class Pantheon Lexicon reverb plug-in, coupled with Steinberg's cross-platform Cubase LE featuring 48-track audio / 64 MIDI tracks, up to eight VST instruments, two insert/four aux sends per channel and ASIO drivers.</p><p>Now joining the Omega Studio is the new Lexicon Lambda Desktop Recording Studio, a bus-powered USB audio I/O Mixer and MIDI interface that comes as a complete recording solution with Cubase LE and Pantheon VST Reverb plug-in. Based on the Omega Studio, the Lambda Studio features two XLR microphone inputs designed by dbx, with TRS inserts and switchable +48V phantom power. Rounding out the full complement of connectivity on the Lambda are two TRS balanced 1/4" line inputs, two TRS balanced line outputs, a 1/8" front-panel mounted high-power headphone output jack, a front-panel ultra-high-impedance instrument input, and MIDI input and output.</p><p>Conveniently powered directly from the USB bus, the Lambda Studio can stream four channels of 44.1 or 48 kHz audio at either 16- or 24-bit resolution to Mac or PC computers. Users can record two tracks at once from up to four input sources, as well as recording MIDI. The microphone and line inputs have individual level controls and peak meters, and are summed at the analog-to-digital bus. Mono / stereo monitoring is provided, as is Zero-latency Direct / Playback Monitoring, allowing for delay-free overdubs. A 2-channel, 4-segment LED bar graph meter indicates input level, and phantom power and USB LED indicators provide status information.</p>