The NETGEAR new generation of Gigabit PoE/PoE+ Smart Managed Switches offers powerful L2+/Layer 3 Lite features, better PoE functions, and enhanced performance and usability. They are purposely designed for the converged networks where voice, video, data are all carried on a single network platform for network efficiency, operational cost savings, and ease of management.</p><p>There are four products in this series, 16/28/52-port Gigabit with PoE and a 28-port Gigabit with PoE Plus. GS516TP is the Smart Managed Switch with PoE/ PD features. It can work as PD device that can get power from other PSE device through port 15 or/and port 16. Meanwhile, it can also deliver power to other PDs that are connected to its PoE ports (port 1 to 8). GS728TP and GS752TP are Gigabit PoE/PoE+ Smart Managed Switches that come with PoE capabilities on all ports and supports PoE+ with up to 30W of power budget on the first 8 ports, providing hardware investment protections so that the switch can support many more PoE powered devices and new higher-powered devices down the road. With the new generation, also comes the addition of high-powered PoE+ Smart Managed Switch into the portfolio. The GS728TPP comes with 24 PoE+ ports and a total PoE power budget of 384w. It can be used in any deployment with high-density of power-hungry devices, such as multiple 11ac Wireless Access Point, PTZ cameras and Video IP phones. All 28-port and above switches come with 4 dedicated Gigabit SFP ports for fiber connectivity.</p>
The NETGEAR new generation of Gigabit PoE/PoE+ Smart Managed Switches offers powerful L2+/Layer 3 Lite features, better PoE functions, and enhanced performance and usability. They are purposely designed for the converged networks where voice, video, data are all carried on a single network platform for network efficiency, operational cost savings, and ease of management.</p><p>There are four products in this series, 16/28/52-port Gigabit with PoE and a 28-port Gigabit with PoE Plus. GS516TP is the Smart Managed Switch with PoE/ PD features. It can work as PD device that can get power from other PSE device through port 15 or/and port 16. Meanwhile, it can also deliver power to other PDs that are connected to its PoE ports (port 1 to 8). GS728TP and GS752TP are Gigabit PoE/PoE+ Smart Managed Switches that come with PoE capabilities on all ports and supports PoE+ with up to 30W of power budget on the first 8 ports, providing hardware investment protections so that the switch can support many more PoE powered devices and new higher-powered devices down the road. With the new generation, also comes the addition of high-powered PoE+ Smart Managed Switch into the portfolio. The GS728TPP comes with 24 PoE+ ports and a total PoE power budget of 384w. It can be used in any deployment with high-density of power-hungry devices, such as multiple 11ac Wireless Access Point, PTZ cameras and Video IP phones. All 28-port and above switches come with 4 dedicated Gigabit SFP ports for fiber connectivity.</p>
The new <strong>BI-FLEX4 Kit</strong> builds off of the original BI-FLEX1 but this LED Panel is 1x4 and can be rolled up into a tube! Exceptionally well-built, splash-proof, and features bi-color LED light with superior light output and quality. The color output is adjustable from tungsten to daylight and every point in between, and is completely dimmable from 100% to 10%. Most importantly, the light quality is the best available; CRI: 98ra (daylight) / 97ra (tungsten).</p><p>The BI-FLEX4 LED panel, at 48?x12? weighs only 2 pounds! This kit includes a professional-grade dimmer with a battery plate built-in (V-Mount or A/B Gold Mount) and DMX controls as well as a 23 ft. extension cable. </p><p>Working with high CRI bi-color light essentially means there is no need for color correction or warming gels (CTO). If you?re shooting a portrait with the light set to full daylight and want to add a touch of warmth for improved skin tone, it?s just a turn of a dial. If you?re working in tight quarters and there?s no room for a stand, there?s no problem, as you have several other mounting options. Every BI-FLEX panel has both male Velcro corners and mounting rings, which means you can mount to any surface using female Velcro, screws, nails or even suction cups. And of course, if it?s easier, you can simply gaff-tape the panel to walls, ceilings or poles. </p><p>Working with the BI-FLEX4 is unlike working with any other light. Because it is highly portable, throws beautiful variable light, can be mounted just about anywhere, and is easy to use and built to last, it will free you from conventional restrictions and allow you to improve the quality of your work!</p><p>The BI-FLEX4 is designed to be used by anyone, anywhere!</p>
The new i-Switch SUB is a unique precision piece of test equipment, being able to individually send a choice of two program sources to 12 pairs of powered loudspeakers and a choice of 4 Subs, making it ideal for batch testing or demonstrating.</p><p><strong>Applications</strong><br />Individually demonstrating multiple powered speakers and Subwoofers.</p><p>A front panel MUTE ALL switch and associated flashing LED allows you to mute everything when you need to answer questions or discuss comparisons and results without losing your level settings. The time constants for Muting allow the signal to Mute over a 0.5 sec window, and un-Mute over a 1.5 sec period. This helps provide accurate level restoration without sudden ON/OFF level changes or damaging transients.</p><p>The Dual program source inputs allow you to put, for example, program material into Channel A, and Pink Noise or a sine wave into Channel B. Select either Input A or B and just toggle between the two. Interlocking switches prevent more than one Input being selected at a time.</p><p>Interlocking switches also prevent more than one Output pair being selected at a time, so that each Output pair can be stepped through by pressing the subsequent switch. Status LEDs show which output is currently active. Four different SUBs can also be selected and compared with each powered loudspeaker.</p><p>All Inputs and Outputs are electronically balanced on Tip-Ring-Sleeve jack connectors, and Loop outputs allow the Input signals to be looped to additional i-Switch SUB units, for larger testing arrays to be set up.</p><p><strong>Superb Audio Quality</strong><br />The iSwitch's ultra low noise figures come from extensive use of premium components, plus care and attention to board design and layout. The result is superb, transparent audio quality and the headroom to accurately reproduce the most demanding input signal.</p><p>A, B and Sub Input Gains are adjustable from Off through to +6 dB via level controls on the front panel. LED status indicators show which Input is currently active.<br />The unique ARX i-Switch SUB provides a truly innovative solution to testing multiple powered speaker systems.</p>
The Panasonic <b>PT-RZ570WU</b> WUXGA DLP Video Projector sets the standard for picture quality and low-maintenance and features exclusive SOLID SHINE Laser Technology. Bright, rich, high-contrast images don't fade away fast with SOLID SHINE Laser. In fact, image quality and endurance outstrips that of competitive lamp projectors with almost no maintenance required. A deep set of practical features makes configuring these projectors for reliable 24/7 operation quick and simple in both permanent and temporary installations.</p><p>The PT-RZ570 boasts amazing specifications, especially for this price, with 5,400 lumens of brightness at a 20,000:1 contrast ratio and a native 1920x1200 resolution all of which add up to stunning video and presentation power. The general-purpose PT-RZ570 features a versatile 2.0x zoom and handy joystick-operated wide-range lens shift. This grants flexibility for installation in different rooms and for projection onto different screens. To produce a 100-inch-diagonal wide-screen image, projection distance extends from approximately 10.2ft (3.1m) to approximately 20.7ft (6.3m).</p><p>DIGITAL LINK transmits uncompressed video, audio, and control commands through a single CAT5e or higher STP cable for distances of up to 492ft (150m). Optional DIGITAL LINK Switcher or Digital Interface Box further simplifies installation, reduces cabling and associated costs, and enhances reliability.</p><p>SOLID SHINE Laser is paired with the latest 1-Chip DLP technology to guarantee bright and detailed pictures. Powerful solid-state light source and four-segment color wheel boosts color performance without sacrificing brightness. It's also quiet running at just 28dB in Silent Mode, minimizing distracting noise and keeping audiences focused on the presentation. SOLID SHINE Laser technology enables free 360° installation of the Panasonic PT-ZR570 through any axis. Together with powered lens shift and a wide range of optional lenses, the projector can be mounted in any way desired without picture distortion temporarily or in permanent applications.</p><p>Rich Color Enhancer offers a Dynamic Mode setting to increase image brightness, or Graphic Mode/Standard Mode, which adjusts color-wheel timing to produce deeper, richer colors in rooms where maximum brightness is unnecessary. Quartet Color Harmonizer wheel mechanism captures a wider color space than comparable projectors, allowing white to be reproduced more realistically on screen. Conventional projectors can't achieve an accurate white balance, so images can appear with a distracting greenish cast. Not the case with the Panasonic 1-Chip DLP SOLID SHINE Laser projectors.</p>
The Pelican <b>1010</b> Micro Case is a great solution to keep all of your smaller, lose items you carry with you organized and protected. It's a great case to carry batteries, iPods or MP3 players, earbud headphones, pocket digital cameras, spare flash drives, and GoPro cameras.</p><p>These are great cases to have if you're working around water because they are able to be submerged under 1 meter (3 feet) of water for up to 30 minutes. The included rubber liner not only adds extra protection for the items you're storing, but also doubles as an o-ring seal for the case. It also comes with a carabiner for easy attachment to bags, backpacks, or even belt loops. These Micro Cases come in two different case styles: Solid colored case with black liners and Clear case with colored liners. The solid colored cases come with a foam lid pad on the inside, but the clear cases do not. Lastly, the Pelican 1010 is crushproof, dustproof, corrosion proof, watertight, and airtight! Used and trusted by the professionals, get yourself one today and keep all your gear safe and secure.</p><p>From small sensitive components to smartphones, protect your gear from the elements in a Pelican Micro Case! Pelican cases are designed rugged and travel the harshest environments on earth. Against the extreme cold of the arctic or the heat of battle, Pelican cases have survived and are proudly <b>made in the USA!</b></p>
The Pelican <b>1010</b> Micro Case is a great solution to keep all of your smaller, lose items you carry with you organized and protected. It's a great case to carry batteries, iPods or MP3 players, earbud headphones, pocket digital cameras, spare flash drives, and GoPro cameras.</p><p>These are great cases to have if you're working around water because they are able to be submerged under 1 meter (3 feet) of water for up to 30 minutes. The included rubber liner not only adds extra protection for the items you're storing, but also doubles as an o-ring seal for the case. It also comes with a carabiner for easy attachment to bags, backpacks, or even belt loops. These Micro Cases come in two different case styles: Solid colored case with black liners and Clear case with colored liners. The solid colored cases come with a foam lid pad on the inside, but the clear cases do not. Lastly, the Pelican 1010 is crushproof, dustproof, corrosion proof, watertight, and airtight! Used and trusted by the professionals, get yourself one today and keep all your gear safe and secure.</p><p>From small sensitive components to smartphones, protect your gear from the elements in a Pelican Micro Case! Pelican cases are designed rugged and travel the harshest environments on earth. Against the extreme cold of the arctic or the heat of battle, Pelican cases have survived and are proudly <b>made in the USA!</b></p>
The Pelican <b>1050</b> Micro Case is a great solution to keep all of your smaller, lose items you carry with you organized and protected. It's a great case to carry batteries, iPods or MP3 players, earbud headphones, pocket digital cameras, digital recorders, GoPro cameras, spare flash drives, cell phones, and even home-made first-aid kits!</p><p>These are great cases to have if you're working around water because they are able to be submerged under 1 meter (3 feet) of water for up to 30 minutes. The included rubber liner not only adds extra protection for the items you're storing, but also doubles as an o-ring seal for the case. It also comes with a carabiner for easy attachment to bags, backpacks, or even belt loops. These Micro Cases come in two different case styles: Solid colored case with black liners and Clear case with colored liners. The solid colored cases come with a foam lid pad on the inside, but the clear cases do not. Lastly, the Pelican 1050 is crushproof, dustproof, corrosion proof, watertight, and airtight! Used and trusted by the professionals, get yourself one today and keep all your gear safe and secure.</p><p>From small sensitive components to smartphones, protect your gear from the elements in a Pelican Micro Case! Pelican cases are designed rugged and travel the harshest environments on earth. Against the extreme cold of the arctic or the heat of battle, Pelican cases have survived and are proudly <b>made in the USA!</b></p>
The perfect solution for mastering, recording and project studios, film-scoring, post-production and live sound For over a decade, Antelope's legendary OCX Master Clock has been a dominant force in the audio world. This legacy now continues with the newest master clock by Antelope Audio - Isochrone <b>OCX HD</b>.</p><p>OCX HD raises the bar yet again, delivering sample rate support of up to 768 kHz, Antelope's best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator.<br />OCX HD Master Clock offers a great variety of clocking options - 10 configurable in pairs Word Clock Outputs on BNC, four AES/EBU Outputs and two more on S/PDIF. This vast assor™ent of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven, proprietary clocking technology delivers the most musical and reliable audio sync generation on the market.</p><p>Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's newest Atomic Clock - 10MX.</p>
The PreSonus <strong>StudioLive 32R</strong> Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 32R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake-and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 32R's preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 32R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class-all packed into just two rackspaces (2U).</p><p>Networking isn't the future of professional audio systems; it's here now. StudioLive 32R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 40x40 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer.</p><p><strong>Eris E3.5 - Sound You Can Trust</strong><br />PreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the <strong>Eris E3.5</strong> employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.</p><p><strong>Woofers That Deliver A Cleaner Overall Sound</strong><br />Every Eris-series studio monitor utilizes a woven composite, low-frequency driver. The weave and nature of the Eris E3.5's 3.5-inch woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.</p><p><strong>Smooth High End And Wide Sweet Spot</strong><br />The Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear everything accurately.</p>
The professional MIDI interface for your home studio: FastLane is a simple 2 input, 2 output, 32-MIDI channel interface for Macintosh and Windows. It installs in seconds and opens your computer to a world of music software. FastLane's unique advantage: a MIDI thru button allows you to play to your gear even when your computer is turned off-without having to disconnect cables. No other USB interface offers this feature for this price.</p><p>FastLane takes full advantage of USB, giving you increased MIDI throughput, better timing accuracy, support for "hot-swapping" and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another FastLane via a standard USB hub. Or mix and match FastLane with our other multi-port USB interfaces, such as the affordable 4-IN, 6-OUT micro express.</p><p>FastLane is specially engineered to operate with multiple USB devices, so your software will never lose contact with it, regardless of how many times you restart your computer or how many other USB devices you connect.</p><p>FastLane's in and out status lights for each MIDI port provide quick visual confirmation of MIDI transmission.</p><p>FastLane is available in your choice of several colors, as well as classy basic black and charcoal. Click here for some detailed pictures.No power supply or batteries required! Includes USB cable.</p>
The Prompter People Proline Plus <b>PRO-24HB</b> 24" HB Teleprompter with 22.5" Reversing Monitor features a 22.5" 1000 cd/m² reversing monitor, 60/40 beamsplitter glass, and a 27' reading range. The teleprompter supports nearly any camcorder, ranging from MiniDV to ENG. The teleprompter comes with an aluminum extrusion frame, which enables mounting the camera to the prompter without requiring counterweights. Height and angle adjustments allow the 60/40 glass to be tuned to ensure that the camera is centered and suited to the presenter's viewing angle and can be folded down for transport and storage. The removable camera rail makes for easy storage. You can mount the camera to the prompter and mount that setup to your tripod in a traditional manner, or with an optional FreeStanding kit, you can mount your camera to your tripod and separately mount the prompter to a stand in front of your camera.</p><p>Flip-Q Pro software, with a dual-screen scrolling engine, reverses the secondary PC or Mac laptop output without reversing the operator's display. This enables the use of less expensive non-reversing VGA displays without sacrificing the functionality or performance. It features an RTF text editor, and allows you to import RTF and TXT files. Additionally, Flip-Q Pro software offers color background, color fonts, preset font size, color, style, black and white fonts, user selectable cue points, run lists, run from selected cursor and selectable cue marker. The software comes on a USB dongle so that it can be used on multiple computers. Just plug the dongle into the computer you want to use at a given time.</p>
The PureLink <b>MPX100 II</b> high definition media player offers powerful features including a 1.6 GHz Quad-core processor, built-in WiFi, and securable content storage. Together with the MPX Management Software Suite, the MPX100 II provides a complete digital signage solution for applications such as retail, restaurants, hotel lobbies, airport information, public transportation, and more.</p><p>Export playlist content via the built-in WiFI, LAN, or USB options for a self-sufficient, Android-based media playback solution. The MPX100 II offers 1GB of built-in flash memory, as well as a securable (key-lock) SD card slot allowing expansion of up to 128GB for local content storage. The unique fan-less design eliminates noise and protects against debris, providing low-power operation and maximum reliability.</p>
The Rane <b>Black & Blue</b> is a simple, mono input-selector/mixer/amplifier with 3 discreet channels of Bluetooth®, 3.5mm line input, and USB computer link for playback or recording. Inputs can be selected for monitoring individually, or all inputs mixed at once.</p><p><strong><em>PLEASE NOTE:</strong> Bluetooth® range is affected by walls, obstructions and movement. For optimal performance, place the product in a location that is unobstructed by walls, furniture, etc.</em></p><p><strong><ins>Applications</ins></strong><br />Meeting Rooms (Bluetooth® A headworn mic, computer program through USB, XLR line out to powered speakers). Unit in mixer mode for mixing sources.</p><p>Coffee Bar (Bluetooth® A mobile device, Bluetooth® B is TV audio, Bluetooth® C is barista headworn mic for calling orders...amplifier out to full-range speakers and XLR out to subwoofer). Unit in mixer mode for mixing sources.</p><p>Trade Show (Bluetooth® A is tablet streaming music, Bluetooth® B is presenter headworn mic...XLR out to powered speaker, and USB out streams to laptop computer to record the presentation). Unit in mixer mode for mixing sources.</p>
The RK-DVX200 series is the ideal solution for extending DVI-D signals to remote locations up to 225 feet away. It is the ideal way to extend up to 16 workstation computers from one location to another location or various locations. It is fully compatible with Mac, PC and Linux standards. Up to 16 displays can be extended easily from a rack without the complication or expense of multiple extenders. Rather than buy multiple extenders for rack components, and having to find power strips or numerous power outlets for the adapters, the SmartAVI rack series of extenders allows for up to 16 inputs and 16 outputs from a single rack device. The extender comes in three configurations: four inputs and four outputs, eight inputs and eight outputs, and 16 inputs and 16 outputs. The extender can achieve the full output distance of 225 feet when using a Cat6 23AWG STP cable. </p><p>The RK-DVX200 rack extender can be implemented in three ways. First, the rack device can be used as a transmitter, extending signals to multiple small receivers (DVX-RX200). Second, the rack device can be used as a receiver, taking in signals from multiple small transmitters (DVX-TX200). Third, the rack device can be used in tandem with another rack device.</p><p><b>Please note!</b> Images are for refernce only and do not reflect the DVI port count. Order accordingly!</p>
The RK-DVX200 series is the ideal solution for extending DVI-D signals to remote locations up to 225 feet away. It is the ideal way to extend up to 16 workstation computers from one location to another location or various locations. It is fully compatible with Mac, PC and Linux standards. Up to 16 displays can be extended easily from a rack without the complication or expense of multiple extenders. Rather than buy multiple extenders for rack components, and having to find power strips or numerous power outlets for the adapters, the SmartAVI rack series of extenders allows for up to 16 inputs and 16 outputs from a single rack device. The extender comes in three configurations: four inputs and four outputs, eight inputs and eight outputs, and 16 inputs and 16 outputs. The extender can achieve the full output distance of 225 feet when using a Cat6 23AWG STP cable. </p><p>The RK-DVX200 rack extender can be implemented in three ways. First, the rack device can be used as a transmitter, extending signals to multiple small receivers (DVX-RX200). Second, the rack device can be used as a receiver, taking in signals from multiple small transmitters (DVX-TX200). Third, the rack device can be used in tandem with another rack device.</p><p><b>Please note!</b> Images are for refernce only and do not reflect the DVI port count. Order accordingly!</p>
The Roland <strong>V-02HD PAC2</strong> Video Mixer Bundle is assembled to provide you with a portable micro switcher, a BOSS dual momentary unlatching footswitch pedal, one phono cable, and two HDMI cables. The V-02HD micro switcher handles HD footage and is small enough to fit in your gear bag. It can be mounted onto a standard tripod, so it doesn't require a rack arrangement to use it on location. Its small size and lightweight design make it well suited for use on mobile video productions.</p><p>Roland's versatile V-02HD multi-format video mixer replaces several standalone units; a simple switcher, high-quality scaler, input expander, audio solution and inline video effects / composition. Save on space and headaches by packing a V-02HD; the portable-yet-powerful device that lets you concentrate on producing your event or shooting your scenes, rather than trouble-shooting your gear.</p><p>The V-02HD is a micro switcher that's small enough to fit into equipment cases and camera bags. Designed to integrate with typical video production workflows, the V-02HD has a screw tap for standard video mounts and conveniently attaches onto a tripod to stay out of the way. Its lightweight design makes it ideal for mobile video applications too, especially when hooked up to third-party battery packs for longer location-based shoots.</p><p>The V-02HD takes the HDMI output from two cameras and seamlessly switches to a connected recorder or livestreaming encoder. The operator can then switch between cameras using the dedicated controls or even by using their feet, via a connected footswitch that lets them continue operating their camera. Audio from both cameras and external sources can be mixed together within the V-02HD and monitored through dedicated headphone output. Finally, the resulting mix is embedded with the video switch and output over HDMI. The V-02HD transforms a two-camera shoot into a small one-person production studio, for reliable recording or live-streaming even with minimal resources.</p>
The S-MADI REAC Bridge is a bi-directional signal converter between REAC and MADI. This bridge enables connectivity between MADI-equipped digital audio mixers/systems to any REAC-based devices such as the popular M-48 Personal Mixing System, Digital Snakes, V-Mixer Consoles, and Multi-channel Live Recording.<br />Bridging REAC with MADI<br />S-MADI is bi-directional format converter between REAC and MADI. Up to 40x40 channels of digital audio transmission is possible between MADI equipment and REAC products such as the Digital Snake series, V-Mixers, and M-48 Live Personal Mixers. Both BNC and Optical I/O ports are included along with support for 56/64Ch mode. Clock source can be selected from REAC, MADI or Word Clock.</p><p>REAC SPLIT OUT<br />The REAC SPLIT OUT port provides audio signal from REAC or MADI enabling a separate monitoring or recording audio signal from the main stream. The SPLIT OUT supports REAC Embedded Power which supplies both the audio stream as well as power to a M-48 Live Personal Mixer or S-0808 Digital Snake.</p><p>Remote Control<br />A connected Digital Snake can be controlled using the S-4000R Remote Controller. Using the S-4000RCS dedicated software also enables control of Digital Snake and M-48 Personal Mixing setup and monitoring parameters.</p><p>REAC Technology<br />The REAC (Roland Ethernet Audio Communication) protocol is an industry proven, low latency, high quality 24 bit/ 96 kHz audio transport protocol used by the S-1608 and S-0816. The REAC protocol allows the Digital Snake's signal to be "split" to as many positions as required such as monitor, broadcast and recording splits using th S-4000-SP or any standard gigabit Ethernet switch.</p><p>MADI Consoles/Devices<br />The following is a list of digital consoles, interface and other devices that support MADI so can therefore be used with the S-MADI ? opening up the world of REAC products include M-48 Personal Mixing, Digital Snakes and Multi-channel recording:</p><p>Allen & Heath iLive with M-MADI-A card<br />Avid Venue MADI Option Card<br />Calrec - Hydra2 with MADI I/O<br />DiGiCo D and SD Series MADI included<br />Harrison Consoles - MADI included<br />Midas Digital Consoles - Klark Teknik DN9650 Network Bridge with LabX MADIX Network Module<br />Soundcraft Vi Series MADI included<br />Studer - D21m Series with MADI I/O<br />Yamaha - add MY16-MD64 (16 channel master) plus 1 or 2 MY-16EX (16 channel expansion)</p>
The Shure <strong>MXC640</strong> Touchscreen Conference Unit features a color touchscreen that displays conference information and controls that make meetings more productive. An integrated ID card reader allows standard NFC cards to be used to identify attendees by name or control access. The built-in loudspeaker makes it easy to hear other talkers and external audio sources, and dual 3.5mm headphone jacks provide comfortable listening to interpretation channels. The touchscreen allows the chairman to see the list of active and waiting speakers, remotely control their microphones, initiate a pre-vote attendance check followed by a 3-button or 5-button voting session, and view the results in real time. With optional conference management software, the meeting agenda can be displayed and specific agenda items selected for discussion. For delegates, the screen displays the list of current speakers and the request queue. Voting buttons are shown when a voting session begins, and the results are displayed when the session ends. The user can also select an interpretation channel, multiple types of replies to the current speaker, and adjust the screen appearance and brightness. The integrated ID card reader allows standard NFC cards to be used to identify attendees by name, regardless of where they sit. With optional conference management software, system access, speech time, or other privileges can be limited for each participant as appropriate. The Speak button and programmable function button provides tactile feedback when pressed, and surrounding LED?s illuminate to indicate microphone status. The area immediately below the microphone and function buttons includes Braille imprinting for visually-impaired users. The built-in loudspeaker and dual 3.5mm headphone jacks provide comfortable listening to the floor audio or interpretation channels.</p>
The Small HD <b>FOCUS 7</b> touchscreen monitor represents tremendous value for independent filmmakers and small production teams growing their business. As an expansion to the SmallHD FOCUS monitor lineup, the FOCUS 7 is highly visible and extremely versatile.</p><p>The FOCUS 7 is a multipurpose, single input on-camera monitor. It has a full-size HDMI input, slightly recessed to keep the connection secure. The FOCUS 7 can support signals up to 4K30 (2160p30/29.97). Real-time 3D LUTs, monitor profiles, and screen overlays can be loaded via a full-size SD card slot. Audio output is also available using the monitor's stereo headphone jack.</p><p>The FOCUS 7 equips filmmakers with all the benefits of a large on-camera display without making the camera set up feel cumbersome. With a high resolution, daylight viewable LCD, the 7-inch FOCUS monitor is ruggedly built and unexpectedly light. This design detail makes the FOCUS 7 easy to attach to a camera and easy to share with a team member or client on set.</p><p>The OS3 software available on the FOCUS 7 is the biggest reason why the FOCUS 7 is big-time production value for indie filmmakers growing their business. Besides having high resolution, completely customizable tools like Waveform, Exposure Assist, focusing tools and real-time 3D LUTs, OS3 gives you the power to access and customize these tools quickly and at a moment's notice.</p>
The Smart AVI RK-DVX-RX16S DVI-D CAT6 STP Receiver is a 16 Card Package containing 16 of the DVX200 receivers. Transmitters are required. </p><p>The RK-DVX200 is the ideal solution for extending DVI-D signals to remote locations up to 225 feet away. It is the ideal way to extend up to 16 workstation computers from one location to another location or various locations. It is fully compatible with Mac, PC and Linux standards. Up to 16 displays can be extended easily from a rack without the complication or expense of multiple extenders. Rather than buy multiple extenders for rack components, and having to find power strips or numerous power outlets for the adapters, the SmartAVI rack series of extenders allows for up to 16 inputs and 16 outputs from a single rack device. The extender comes in three configurations: four inputs and four outputs, eight inputs and eight outputs, and 16 inputs and 16 outputs. The extender can achieve the full output distance of 225 feet when using a Cat6 23AWG STP cable. </p><p>The RK-DVX200 rack extender can be implemented in three ways. First, the rack device can be used as a transmitter, extending signals to multiple small receivers (DVX-RX200). Second, the rack device can be used as a receiver, taking in signals from multiple small transmitters (DVX-TX200). Third, the rack device can be used in tandem with another rack device.</p><p><b>Please note!</b> Images are for refernce only and do not reflect the DVI port count. Order accordingly!</p>
The Sony <b>URXP03D-25</b> is a 25kHz 2-channel portable receiver for high quality sound for ENG/EFP productions. The URX-P03D 2-channel portable receiver forms part of a complete UWP-D audio system offering the sound quality of digital audio processing combined with the reliability of analog FM modulation. The URX-P03D offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of Ch, with a choice of models to choose from. Easy-to-use features include a large display and small size to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The receiver also has external mic input for an additional wired microphone and 3 channel mixer function. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications.</p><p><strong>Wide frequency coverage with choice of Ch available</strong><br />The extra wide switching bandwidth covers a wide area, with a wide choice of Ch available across multiple models-please refer to product specifications for more information.<br />14UC: 470.125 MHz to 541.875 MHz (UHF-TV Ch 14 to 25)<br />25UC: 536.125 MHz to 607.875 MHz (UHF-TV Ch 25 to 36)</p><p>*For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30-A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available.</p><p><strong>For customers in North America</strong><br />The URX-P03D/30 and URX-P03D/42 models operate in portions of the 617-652 MHz or 663-698 MHz frequencies. As of 2017, these frequencies are being transitioned by the Federal Communications Commission (FCC) to the 600 MHz service to meet increasing demand for wireless broadband services. Users of these models must cease operating on these frequencies no later than July 13, 2020. In addition, users may be required to cease operations before that date if their operations could cause harmful interference to a 600 MHz service licensee's wireless operations on these frequencies. For more information, contact the FCC.</p><p>For customers in Canada, please consult ISED's Spectrum Advisory Bulletin for recent information related to the 600 MHz band transition.</p>
The Sony <b>UWP-D16</b> Camera-Mount Wireless Combo Microphone System provides filmmakers, videographers, and journalists with a professional wireless system featuring digital audio processing for pristine sound, and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions.</p><p>The system offers a winning combination of trustworthy performance, ease of use, flexible control, and a wide 72 MHz bandwidth with 2772 frequency options for clean, broadcast-quality audio. You can operate up to 16 mics in one location.</p><p>The versatile <b>UWP-D16</b> includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic, great for hands-free interviews. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on also provides 48V phantom power, giving you the option to use a condenser microphone.</p><p>The receiver connects to a camcorder or a DSLR/mirrorless camera to capture natural-sounding speech or dialog for projects ranging from field-based news productions and sports events to wedding videos and documentaries.</p>
The SpaceBox <strong>SBLED-STKT10-220-B</strong> LED Studio Ten Kit makes setting up a complete studio lighting system easy, right out of the box. If you have a grid or even just simple rigging points in your studio space, the Studio Four Kit will provide your lighting base coat for a room size of 25' x 35' or 30' x 30'.</p><p>Or, if you're lighting a green screen wall / white cyc, place your SpaceBox LED's at 5' centers along your wall / cove to easily cover a length of 50' or greater. For best performance, the ideal mounting height is between 11' - 14' (from floor to bottom of skirt). Keep in mind that the general rule of thumb for distance from your wall is a number half of your rigging height. So in other words, if your rigging height is 12' then you should estimate rigging your SpaceBox LED's approximately 6' away from your wall for best coverage results.</p><p>A Bi-Color LED Spacelight that's easy to use, doesn't use a lot of juice, changes when technology does with interchangeable LED tubes and won't break the bank. Designed around the nonstop needs of today's production dynamics, It's a simple, economical and efficient idea that brings a fresh perspective to a classic studio lighting solution. The SpaceBox is a dimmable, two-channel, LED tube based, overhead space light fixture that can be operated in bi-color or single color modes.</p><p>Surprisingly bright with low power consumption along with the unique rectangular skirt format makes the SpaceBox an astoundingly efficient overhead fixture for today's small to medium, budget conscious facilities. Proudly driven by Quasar Science LED tube technology (this part number uses half daylight and half tungsten 220V tubes), the SpaceBox delivers reliable and consistent CRI ratings of 95+ and flicker free operation. The LED tubes are dimmable via most existing DMX dimming systems available today and can be controlLED via Wireless DMX devices as well.</p><p>Gaffers, lighting designers, line producers and unit production managers alike will appreciate the ?lumens per dollar" ratio compared to traditional tungsten space lights or older fluorescent systems. Combine that with the reduced labor and cable & electrical requirements of the SpaceBox, and the advantages of this system make it the logical choice for budget and performance.</p>
The SpaceBox <strong>SBLED-SYS120-B</strong> is a Bi-Color LED Spacelight that's easy to use, doesn't use a lot of juice, changes when technology does with interchangeable LED tubes and won't break the bank. Designed around the nonstop needs of today's production dynamics, It's a simple, economical and efficient idea that brings a fresh perspective to a classic studio lighting solution. The SpaceBox is a dimmable, two-channel, LED tube based, overhead space light fixture that can be operated in bi-color or single color modes.</p><p>Surprisingly bright with low power consumption along with the unique rectangular skirt format makes the SpaceBox an astoundingly efficient overhead fixture for today's small to medium, budget conscious facilities. Proudly driven by Quasar Science LED tube technology (this part number uses half daylight and half tungsten 120V tubes), the SpaceBox delivers reliable and consistent CRI ratings of 95+ and flicker free operation. The LED tubes are dimmable via most existing DMX dimming systems available today and can be controlLED via Wireless DMX devices as well.</p><p>Gaffers, lighting designers, line producers and unit production managers alike will appreciate the ?lumens per dollar" ratio compared to traditional tungsten space lights or older fluorescent systems. Combine that with the reduced labor and cable & electrical requirements of the SpaceBox, and the advantages of this system make it the logical choice for budget and performance.</p>
The SRW12USDP SmartRack 12U UPS-Depth Wall-Mount Rack Enclosure Cabinet is designed to house EIA-standard 19-inch rack equipment in network wiring closets, retail locations, classrooms, back offices and other areas with limited floor space where you need equipment to be secure, organized and out of the way. Constructed from heavy-duty steel with a durable black powder-coated finish, the cabinet has a maximum load capacity of 200 pounds.</p><p>The cabinet swings away from the wall on a sturdy hinge, allowing easy back-door access to equipment and cabling during installation and maintenance. The doors and side panels lock securely to help prevent damage, tampering or theft. The front, top, bottom and removable side panels are vented, which allows air to flow freely and keep equipment cool. The reversible doors can open left or right by rotating the cabinet 180° before mounting. Convenient top and bottom ports allow easy cable routing.</p><p>The SRW12USDP comes fully assembled and ready to mount to the wall, or use Tripp Lite?s optional SRCASTER rolling caster kit to make it a mobile rack. Square and threaded mounting holes and numbered rack spaces make equipment installation easy. The vertical mounting rails adjust in 7/8-inch increments to accommodate equipment up to 24.5 inches deep, such as network switches, UPS systems and related battery packs and cabling.</p><p><strong>Please note:</strong> This is a Bstock unit: There is a dent on the top corner of the unit.</p>
The Stewart Audio <b>AV20-2-LZ-D</b> is a 2 channel PoE++ (60W port power or injector) Dante™ amplifier in a plenum-rated, compact, flange mount enclosure. PoE++ Amplifier Series leverages the higher power 802.3bt PoE++ standard (60W port power) to power two amplifier models, the AV20-2-LZ-D (20W x 2 @ 4/8?) and the CVA40-1-CV-D (40W x 1 @ 70V/100V). These compact Dante™ amplifiers are designed to be single cable solutions for small/medium zones without the need for a local power outlet. This amplifier series leverages the ubiquitous nature of existing CAT 5e/6 cable in zones and also the inexpensive process of pulling new cable to zones. It creates an opportunity to reduce labor costs with a single, reliable, twisted pair cable that carries power and data to where you need it. Simply plug the PoE++ CAT 5e/6 cable into the amplifier, wire the speakers and route audio and repeat for the next zone. The plenum rating and compact size, allow this amplifier series to be placed in the air handling space, closets, the rack or any other convenient space. The confluence of readily available and inexpensive CAT 5e/6 cabling, Dante™ networked audio and quick installation, makes this amplifier series an essential problem solver.</p><p><strong><ins>Applications:</ins></strong><br />Dante audio networks <br />Hospitality Installations <br />Classrooms <br />Conference Rooms <br />Healthcare <br />Medium+ zone sound reinforcement</p>
The SWIT <b>BM-U243</b> adopts a 23.8 -inch 10-bit LCD panel, UHD 3840x2160 resolution, 300nit LED backlight, 1000:1 contrast, 100% REC709 and 94.1% DCI-P3 color gamut. The viewing angle is Horizontal: 178° / Vertical: 178°.</p><p><strong>Multi 4K Interfaces</strong><br />BM-U243 Monitor supports the following 4K interfaces:</p><p>12GSDI (SDI 1&2)<br />Quadlink 3GSDI (SDI 1-4)<br />HDMI 2.0 (4K60P)<br />SFP Fiber 12G (Output by 12GSDI)</p><p><ins><strong>Notes:</strong></ins><br />The Quadlink 3GSDI supports both Quad mode and 2SI interleave mode;<br />The SFP optical fiber adaptor is optional purchased.</p><p><strong>HDR Monitoring</strong><br />BM-U243 support HLG (Hybrid Log Gamma) and Dolby Vision PQ HDR monitoring.</p><p><strong>3DLUT Auto Self-Calibration</strong><br />By X-rite i1 or JETI Specbos 1211. With built-in 3DLUT calibration software, (software copyright) support X-rite i1 and Jeti Specbos 1211 probes to directly connect with the monitor USB port. The monitor generates color patterns and the color probes read the color, send color info to monitor via USB. Then the monitor compares the color difference and generate 3DLUT and calibrate itself automatically. Calibration time: X-rite i1 15min, Specbos 1211 45min Calibration result: ΔE≤1.0</p><p><strong>Audio/Video Zero Latency</strong><br />Support Zero latency mode (less than 1/100 frame) under 4K input sources, for special image processing mode for lip-sync monitoring.</p><p><strong>De-Log 3DLUTs</strong><br />User 3DLUT cube upload. The monitor has built-in multi camera logs to Rec 709 conversion 3DLUTs, including Log-C, C-log, S-log2, S-log3, V-log, J-log1, RedLogFilm.<br />You can also import own 3DLUTs to monitor by USB stick, support 17x17x17 3DLUT cube files.</p><p><strong>Audio Meters and Lissajous</strong><br />Support Max 16-ch embedded audio meters display, with VU/PPM, and display audio abnormal alert. Support select any 2 channels audio to output via speaker or 3.5mm headphone socket. Support audio Lissajous pattern display for post production.</p><p><strong>Webserver IP Remote Control</strong><br />BM-U243 supports webserver remote control by Ethernet LAN connection.<br />Use computer web browser to open the monitor control panel, and select input sources, adjust picture parameters, set up video / audio functions and assign function keys, etc, without install any APP.</p>
The SWIT <b>FM-21HDR</b> monitor adopts a 21.5 inch LCD panel with LED backlight, 1000nits high brightness. The native resolution is Full HD 1920x1080, contrast 1000:1, and viewing angle is Horizontal: 178°/Vertical: 178°</p><p><strong>Input/Output Interfaces</strong><br />3G-SDI, HDMI</p><p><strong>HDR Capable</strong><br />With 1000nit high brightness, FM-21HDR can display HLG and Dolby Vision PQ HDR image by switching the HDR curves for different cameras.</p><p><strong>Built-In De-Log 3DLUTs</strong><br />DIT user 3DLUT cube upload: FM-21HDR provides more than 20 De-log 3DLUTs to convert log mode to REC709 for all major cameras.<br />Includes ARRI, RED, SONY, Panasonic, Canon, JVC, BMD, FujiFilm, GoPro, DJI. The user 3DLUT cube or calibrated 3DLUT cube can be uploaded by USB stick.</p><p><strong>Video Analysis Assistant Pattern</strong><br />Waveform/Vector scope/Histogram: FM-21HDR supports video analysis assistant patterns includes: Waveform (Y/Pb/Pr/R/G/B), Vector scope, Histogram (R/G/B/Y), to convert the digital video quality info (Luma, Color, Saturation, etc) to patterns, and the patterns can be switched on/off individually, select display position (Up/Down/Left/Right), size, color, and translucence.</p><p><strong>Embedded Audio Monitoring </strong><br />Up to 16-ch meters: The monitor can display 16-ch embedded audio meters.</p><p><strong>Function Keys Assign</strong><br />4 User Presets of Function Keys restore: There are 4 F-keys to assign different functions, and you can make independent assignments and restore in 4 User Profiles. Long Press F1/U1, F2/U2, F3/U3, F4/U4 button to recall User 1/2/3/4 with different F1/2/3/4 assignments.</p><p><strong>Anamorphic De-Squeeze</strong><br />Enables de-squeeze the image from a camera utilizing anamorphic lens, Aspect Formats: 16x9, 4x3, x1.3 Anamorphic De-Squeeze, x2.0 Anamorphic De-Squeeze, x2.0 MAG Anamorphic De-Squeeze </p><p><strong>TSL UMD and TALLY</strong><br />FM-21HDR supports TSL 3.1 and 4.0 protocol UMD display and front TALLY light via RJ45 (RS485) port in the rear panel, input and output.</p><p><br /><strong>Various Power Input </strong><br />V-mount/4-pin XLR/AC: FM-21HDR provides 11-17V 4-pin XLR input and 100-240V AC input. A V-mount plate is pre-installed so that you can attach V-mount battery to power the monitor via D-tap to 4-pin XLR cable. The power consumption is 48W.</p>
The SWIT <b>S-8975</b> is the replacement battery for SONY NP-F970, compatible with SONY HVR-V1/Z1/Z7, DSR-PD190, HD1000E, etc. S-8975 can exchange digital info with the cameras, and display remaining power info on the camera viewfinder.</p><p><b>75Wh / 10.4Ah High Capacity</b><br />With 7.2V nominal voltage, the S-8975 has 75Wh / 10.4Ah capacity.</p><p><b>Build-in D-tap DC Output Socket</b><br />A 5.5/2.1mm pole-tap DC output socket is equipped on the side of S-8975 battery, for DC 7.2V (Nominate) connection. You can connect on-camera LED light, monitor or wireless transmitter on the pole-tap socket, and get power simultaneously with camera. The Max power from the pole-tap is 30W, 4A.</p><p><b>4-level LED Power Indicator</b><br />The S-8975 battery has the 4-level LED power indicators to check the battery remaining capacity. You can get a quick view of capacity before using.<br /> <br /><b>Easy Charging</b><br />The S-8975 can be charged on SWIT Dual channel charger S-3602F and SONY original charger. It takes about 5 hours and 50 minutes to charge from empty to 100%.</p>
The TrueNet Fiber Panel (TFP) Series can be ordered in one, two and five rack unit sizes and are completely modular to configure to a variety of applications. The unique modular adapter packs incorporate ADC's angled adapter design to allow easy access to each port and superior cable management and bend radius protection. Panels include T-Handle.</p><p>TE Connectivity / ADC's TrueNet Fiber Panels (TFP) combine the unique features of vertical cable guides and our patented angle-left/angle right adapters, which offers bend radius protection, intuitive routing and easy connector access. TFP series can be ordered in one, two, or five rack unit sizes to fit your unique needs. Designed for rack or cabinet mounting in the horizontal or equipment distribution area, the TFP's modularity, functionality and density make them ideal for mounting in close proximity to servers, switches, routers and SANs.</p><p>The TFP's functionality can be extended with its plug-and-play angled cassettes, which add up to 24-fiber terminations each for jumper management in SANs-rich environments. These cassettes snap into place effortlessly; and even come from the factory pre-labeled with simple installation instructions.</p><p>24-fiber cassettes; 12 LC (aqua) multimode adapters; 50/125 fiber laser optimized to 300 meters</p>
The TS9901 Tablet Stand works in conjunction with the versatile TCM9150 u-mount Tablet Mounting System to provide convenient and stable support for tablet computers. This amp stand-inspired tripod is ideal for use in a seated position anywhere, anytime, getting the tablet off your lap and up to the perfect height for sight-reading, music lessons, rehearsals, typing, or any other seated activity. Heavily built and sturdy, the TS9901 features a music industry standard 5/8"-27" threaded top end that mates with the On-Stage UM01 Ball Joint Adapter and other optional adapters. The TS9901 Tablet Stand is height adjustable from 18.5"-27" via a heavy-duty cam lever clutch. Its tripod leg base is ideal for sitting, allowing one leg to be positioned between your feet in a natural and comfortable way, and its 19" maximum spread provides excellent stability. Set-up and tear down is quick, and in transport or storage, the folded length is only 14", small enough to share space with a tablet in a briefcase or gigbag.</p>