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Pak Media is a high-capacity solid-state drive encased in a protective housing with a rugged connection engineered to handle the rigors of repeated use in the field and multiple capacities to fit your needs. Utilize the AJA Pak Dock (sold separately) to transfer your footage over Thunderbolt or USB 3.0.</p><p><strong>Pak Media</strong><br />File-based recording means your files are your master copy - something you don't want to leave to chance. Pak Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure.</p><p>The reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed.</p><p>Pak-Adapt-eSATA is a Pak Media sized adaptor with an eSATA connector that allows you to attach a qualified RAID or single volume storage via an eSATA cable, so that it may be used as a recordable drive. Pak-Adapt-eSATA can be utilized with Ki Pro Quad or Ki Pro Ultra. You can even connect two Pak-Adapt-eSATA to the Ki Pro Ultra for even more flexibility in the field.</p><p>eSATA connectivity provides the bandwidth needed for 4K 422 HQ at up to 30fps.</p><p><strong>Compatibility</strong><br />Pak drives are compatible with the CION production camera as well as the Ki Pro Ultra and Ki Pro Quad 4K/UltraHD/2K/HD file-based recorders and players. The combination of these powerful devices and Pak storage creates an efficient workflow for capturing media as ProRes files and bringing it quickly and easily into the post production environment in a high-quality file format that maintains manageable file sizes.</p>
QSC's <b>GP118</b> and GP218 subwoofers offer a unique solution that addresses the requirements of digital motion picture soundtracks. Featuring high excursion, 18" low-frequency transducers mounted in ported enclosures, these systems extend response to the lowest audible frequency.</p><p>The <b>GP118</b>/GP218 are premium, highperformance, direct radiating 18-inch subwoofers for screen channel or surround channel low frequency extension. With an impressive combination of low frequency performance and musical accuracy, the <b>GP118</b> and GP218 are an ideal subwoofer companion to QSC's AcousticPerformance&trade; Series loudspeakers when used in high output immersive sound surround<br />applications. Cabinets can be placed on the floor, or suspended from the ceiling to avoid occupying floor seating space.</p><p>The <b>GP118</b> features a single 18-inch transducer that incorporates a double layer spider and triple roll surround for extended<br />and controlled excursion at extreme power. The GP218 features two of these same transducers. The 4" voice coil is wound on a fiberglass former to prevent deformation at high operating temperatures and is extensively vented to reduce power compression. An aluminum demodulating ring also further reduces distortion.</p><p>The <b>GP118</b> and GP218 enclosures are constructed of 18mm Baltic birch plywood with internal bracing to eliminate acoustic losses due to panel resonance while maintaining the enclosure's robustness. Built-in M10 threaded fittings allow the <b>GP118</b> and GP218 to be easily and<br />safely suspended (using installer provided hardware). Further contributions to cabinet rigidity include vent walls constructed of the<br />same plywood as the enclosure. Ample port area allows free movement of air resulting in minimal turbulence and port distortion.</p><p>Finishing the enclosure's aesthetic design, the transducer is protected by a 16-gauge, powder coated steel grille. The subwoofers can be stacked vertically using their interlocking feet and recess features machined into the enclosure's top panel.</p>
Reconnect your devices to your USB-C equipped computer with the <b>OWC USB-C</b> Dock. The full-featured connectivity companion you've been waiting for. Add ten ports with just one USB-C cable. Reconnect to your workflow, to your business, to your desktop and to your life.</p><p><b>Ports For Every Piece of the Puzzle</b><br />Featuring 10 ports, USB-C Dock brings the connectivity you need back into your day-to-day. Complete with five USB 3.1 Gen 1 ports - including two high-power charging ports and one USB-C port - you can reconnect and charge your current and future devices. The USB-C Dock also features Gigabit Ethernet, a newly added Mini DisplayPort for the professional / pro-sumer wanting a diversity of display options, and combo audio ports along with an SD card reader for even more connectivity.</p><p><b>Pure Power Completes the Picture</b><br />Connectivity is only part of the solution. Of course, the OWC USB-C dock provides ample power alongside connectivity, delivering 80W of power to your connected devices, including up to 60W to charge your computer. You'll never have to worry about juggling between connectivity and a dead battery again.</p><p><b>Designed Better From Inspiration to Implementation</b><br />OWC USB-C Dock was designed to deliver the ultimate connectivity companion in both function and form. And with a choice of colors, USB-C Dock matches your style. An aluminum chassis completes the design story, so your dock is robust enough to handle your life, wherever it takes you.</p><p><b>Reliability and Support You Can Count On</b><br />Like all OWC products, USB-C Dock is designed and built from the ground up to the highest standards of quality, reliability and performance. OWC's award winning 24/7 customer support team is always on hand to provide support and information whenever you need.</p><p><b>Bonus Mini DisplayPort to HDMI 4K Adapter</b><br />With the included adapter, you can output video from your docking station via one cable to a high definition monitor or TV with up to 4k@ 30Hz. You can output BOTH digital audio and video for a true one cable solution for all your A/V needs.</p>
Revolabs Executive Elite microphones merge best-in-class audio with eye-catching design, setting the gold standard for excellence in wireless conference room audio. These innovative wireless microphones feature advanced technologies and extended capabilities that ensure superior audio pickup and sound quality, improved signal-to-noise ratio, enhanced digital signal communication over wireless links, and a user-friendly interface.</p><p>Revolabs' latest advances in the use of the available frequencies allow more Executive Elite microphones to be deployed and used in the same space. Depending on the application, 44 or more wireless microphones can be used per area or room in the Americas and Japan, and 76 or more microphones in Europe and most other countries. In larger installations, several Revolabs Executive Elite base DSP units communicate wirelessly to coordinate their microphone channels automatically, freeing users from the task of manually assigning and reassigning channels. The stylish microphone charger tray lets you charge up to four or eight microphones of any type in the same charger simultaneously. Charge time for a tabletop microphone is approximately six hours.</p><p>For longer meetings, Executive Elite microphones work up to 20 hours on a single battery charge, even in settings where receivers are up to 300 feet away. In addition, the microphones intelligently conserve power when they are not in use, enabling standby times of up to 72 hours with a remaining talk time of at least one hour. Revolabs Executive Elite tabletop microphones use standard AA nickel metal hydride (NiMH) rechargeable batteries, while the wearable microphone, the XLR adapter, and the TA4 (mini XLR) adapter are powered by lightweight, sealed, field-replaceable lithium ion batteries with a talk time of up to eight hours.</p>
RTS SoundMate personal listening systems help overcome background noise and poor building acoustics that can make listening difficult for the hearing impaired listener. A RTS base station, portable beltpack transmitter, your choice of receivers, and a wide assortment of accessories allow you to meet the needs of individuals who require hearing assistance. These listening systems are even compatible with a variety of hearing instrument styles for hearing aid users. Let RTS, the acknowledged leader in personal assistive listening products, help you select the system that's right for any listening environment.</p><p>The PST-170 Belt PackTransmitter may be set to any one of the 17 channels which is displayed on the backlit LCD, and operates on frequencies in the 72-76 MHz band. It is lightweight, battery operated and includes a small lapel microphone for convenient portable use. The PST-170 has two audio input jacks. The Auxiliary input is designed to allow the use of audio devices such as teacher's aids or tape players. The second jack is normally used with a microphone and is located on the top panel. The PST-170 is also compatible with the E.D.R. feature of the SR-400.</p><p>The PST-170 Transmitter may be set to any one of 17 channels.</p><p>Two Transmitters cannot operate on the same channel unless separated by 300 feet (91 m) or more (which is the average maximum operating range). If two transmitters are operating on the same channel inside this perimeter, the receivers will pick up the FM signal of both transmitters, causing a squealing sound to be heard.</p><p><strong>Antenna.</strong><br />The transmitter uses a flexible wire "trailing" antenna that is permanently attached to comply with FCC Part 15 Rules. Do not cut or lengthen the antenna. Do not coil the antenna and place in your pocket. This is a tuned antenna and modification will shorten the range.</p><p><strong>Audio Input.</strong><br />There are 2 audio input jacks on the transmitter. One is the Auxiliary input designed to allow audio devices such as teachers aids or tape players to be used. The input jack is a 1/8 inch (3.5mm) stereo/mono jack. Typical input level is 100 mV RMS maximum for normal modulation. More than this input will cause the audio to "limit" which may sound unnatural. Reduce the input level, if this should happen, by turning down the input device. The second jack is the microphone input. This jack is located on the top panel "step" of the transmitter. The microphone is supplied with the transmitter but other types can be used as well.</p>
Since 1976 <strong>WindTech</strong> has manufactured the highest quality <strong>American made</strong> microphone windscreens and accessories available on the market. There are more than 35 models and are available in up to 25 brilliant colors. There are a wide variety of shapes and sizes available to fit most popular microphones. WindTech developed a proprietary non-heat manufacturing process in 1976. All windscreens are made from specially developed <strong>American made</strong> hypo-allergenic, open-cell acoustical foam called SonicFoam. The use of SonicFoam permits the free passage of sound energy without altering the microphone's frequency response. While remaining acoustically transparent, our windscreens are engineered to reduce wind velocity which eliminates wind noise, pop noises and breath sounds. For anyone who wants to keep their investment secure, nothing protects an expensive microphone from dust, dampness and physical damage like an external windscreen. We were the first in the business and we've been perfecting our products for over three decades. Don't be fooled by imitations and cheap imports. Look for the WindTech brand name and get the quality, durability and performance you deserve.</p><p><br /><strong> The 1500 Series Windscreens Fit the Following Microphones.......</strong><br /><strong>AKG</strong> CK97C,C567.<br /><strong>Audio Technica</strong> AT853, 803B, 855, 857, 859, ATM35, ATM350, Pro35, U853, U857. <br /><strong>Audix</strong> M1245, M1290, ADX-20, ADX112, ADX118. <br /><strong>Beyer</strong> MC5, MC6, MCE10, 52. SHM22, SHM88. <br /><strong>Electro Voice</strong> RE98, CO90, CO90P, CO94, CO100, CP212, 218, CS200, CH230. RE90H, RE92. <br /><strong>MicW</strong> CN201, E216, M215, N201, N241. <br /><strong>Samson</strong> VLP-1, QE. <br /><strong>Sennheiser</strong> ME34, ME35, MKE40-60. <br /><strong>Shure</strong> EZG, EZO, MX183, MX184, MX185, MX412. SM83a, SM84a, 839w, SM98, SM99. Sony AH-1, ECM-X7, ECM-44, 55, 66, 166. Special Projects SP4700, SP746, SP756, SPH20. </p><p>And most slim-line podium or lavalier style microphones with up to .50? (13mm) in diameter.</p>
TASCAM's HS-P82 offers 8 tracks of the highest quality recording, yet it's built for the rigors of location recording with reliable solid-state performance. The HS-P82 is built for location television and film production audio, with eight microphone inputs for big shoots or reality programs. The standard XLR microphone inputs include phantom power and analog limiting, with trims controlled from recessed front-panel controls. In addition to the eight individual tracks, a stereo mixdown can be recorded for instant use during editing.</p><p>Audio is recorded at up to 192kHz/24-bit WAV format to a pair of Compact Flash cards. This solid state media is completely reliable with no moving parts, and you can record to both cards simultaneously for extra security. The Broadcast WAV files include iXML metadata for quick import into nearly any video or audio editing system, either via the USB 2.0 connection or a standard card reader.</p><p>For multi-microphone music or surround effects recording, the HS-P82 now includes Mid-Side decoding - either recorded to the track or only for monitoring & playback. Microphone gain settings can be ganged together for fades, and inputs automatically mute when the gain is brought to its minimum setting.</p><p>The HS-P82 offers several options for power. It runs on either AA or NP batteries, an included AC adapter, external DC input or a V-mount adapter for Endura batteries. An internal slate microphone is available for naming takes. Functions like a 5-second pre-record buffer, front panel lockout and headphone output alert signal further inspire confidence.</p><p>For high-resolution music recording, a set of AES/EBU connectors is available for attaching pedigree A/D converters and preamplifiers. SMPTE timecode in and out, video and word sync are provided. All of this is controlled from a color touchscreen interface which makes operation fast and simple.</p><p>The HS-P82 from TASCAM is built on 30 years of reliable field recording. See how affordable the state of the art can be with TASCAM's flagship production recorder, the HS-P82.</p><p>You may also be interested in the AR-P82 carry case, made in the USA by PortaBrace, and the HS-8 rackmountable recorder for studio playback of HS-P82 recordings.</p>
The <strong>AC-EX100TT-UHD-T</strong> is their 100m HDMI/VGA Transmitter via HDBaseT, This Tx has control input for RS-232, IR, Ethernet, and also comes with Audio Extraction and EDID Management.</p><p>AVPro Edge's auto-switching HDBaseT Table Top transmitter is a dual input VGA & HDMI auto sensing HDBaseT (over single CAT5e or better) Transmitter. Simplify installations in schools, offices, meeting rooms and huddle rooms. Once integrated into your client's system he now has the perfect solution for sharing information from any computer or source. This unit is designed to work flawlessly with all PC, VESA and traditional resolutions 4K 60Hz 4:2:0 8-bit & HDR 4:2:2 12 BIT. VGA supports DCI 2K, 1080P, 1920x1200x60. In addition to its compact and robust design, it transmits the digital signal up to 100 meters (328?) giving you ultimate flexibility, especially in large rooms like libraries or auditorium style rooms/classrooms. AVPro Edge's Military grade performance insures system stability for years to come.</p><p><strong>Key Benefits Include:</strong></p><p>1) Ultra High Definition: The length of manufactured HDMI cable is unchangeable after it is made and they are unreliable after about 25FT. Additionally, HDMI connectors can only be terminated in specialized factory environment due to its extremely high frequencies and high density. This does not allow installers or users to remake or make cables on a DIY basis. CAT-5E/6A cables are available widely and can be reworked easily by the installer or end-user. Our AC-EX100TT-UHD-T supports 4K up to 70M (230ft) with crystal clear 4K Resolution & 100M (330ft) on 1080P.</p><p>2) Distance: By using AC-EX100TT-UHD-T, the transmission distance for HD 1080P is 100 meters (330ft) & 4K is up to 70 meters (230ft).</p><p>3) Auto Sensing: This transmitter is designed to be a "Set it & forget it" piece of hardware. When the user plugs in their device (BYOD), the Table Top Transmitter automatically senses the signal and makes it active. If both inputs are in use, there is a simple button on the front to toggle inputs.</p><p>4) Control: IR & RS-232 allow control of a rack or standalone projector or display.</p><p>5) Power: No local power required when you use the AC-EX100-UHD-R2. Power is provided by ultra-stable ieee PoE technology. Optionally you can power it locally for use with any HDBaseT Receiver.</p><p>6) RS232 Control: You can control switching and EDID using RS232 control of the local device.</p><p><strong>Please note:</strong> Receiver is not included.</p>